Accessories for Small Part Pickling

Using Non-Jeweler’s Tools For Fabrication: How To Repurpose Painting Blades For Bezels

Creating Beading Pliers Accessory Bezel Settings

Modifying Beading Tools

Australian Ingenuity

How to Harden and Temper Tool Steel

Other Uses for a Pencil in Jewelry Making

Make Your Own DIY Rotary Burr

Make Your Own Cardboard Disc Sander

Method to Quickly Identify Tool Steel

Preparing a Hammer for Foldforming

Customized Earring Setting Pliers

Tips for Modifying Vises

Optimized Saw Blade for Cutting Wax

Modified Super Tools

Thai Chaser Tool Tricks

Reusing Broken Saw Blades

Green Bench Tips – Part 2

Customized Mini Clamp Tool

Customized Head Polishing Pliers

Customized Ultrasonic Sediment Bucket

Customized Peg Head Holder & Stone Holder

Customized Light Box & Bench Shelf

How to Make Straight Wire Holders

Half-Ground Round Bur

Customized Turntable Tool Rack

Customized Hanging Tool Shelf

Grinding and Shaping Onglette Gravers

Customized Solder Holder, Jet Sett, Blast Shield

Customized Beading Tool Retipper, Trays & Polisher

Customized Loose Head Holder

Tool Alterations

Buffer System & Ultrasonic Basket Replacement

Customized Robo Grip Pliers

Customized Steamer Bucket Enclosure

How to Make Prong Notching Pliers

Modified Setting Bur with Safe Edge Tool

The Art of Tool Making

How to Customize Short Insulated Tweezers

Customized Stone Laser Shield for Jewelry Making

How to Modify Separating Tweezers

Creating a Whip Burnisher

How to Modify Cross-Lock Tweezers

Modified Split Mandrel for Finishing Round Bezels

Giving New Life to Old Burs

Debunking Three Myths About Sawing

How to Customize Curved Tip Melee Tweezers

Overcoming Tool Limitations

Channel Setting Bezels with Customized Pulling Pliers

How to Customize Fine Tip Melee Tweezers

Modified Split Mandrel to Bezel-Set Round Stones

How to Make a Riffle File

How to Modify a Goldsmith Hammer

How to Modify Prong Pushers

How to Modify Wooden Ring Clamps

Recycling High Speed Steel Burs

Homemade Flex-Shaft Guard

Sometimes jewelry makers need to make adjustments to standard tools to finish unique pieces. Our articles will help you customize your tools.

Customize Your Tools

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6 Basic Wire Skills to Make a Necklace

Metal Engraving Tools Explained: How To Choose And Prepare Gravers For Jewelry Work

Jeweler’s Torches Explained: What Kind Do You Need?

Hollow Ring Project

Tube Setting a Faceted Stone

How to Make a Filigree Bail

How to Make and Set Bezel for a Faceted Stone

How to Make Powder Solder for Filigree

Master goldsmith <a href="http://www.brainpress.com/LewtonBrain.html">Charles Lewton-Brain</a> trained, studied and worked in Germany, Canada and the United States to learn the skills he uses. Charles Lewton-Brain is one of the original creators of Ganoksin.

Charles Lewton-Brain

Mechelle Lois is a professional bench jeweler who was classically trained in jewelry making and repair at the highly regarded North Bennet Street School in Boston MA. Now based in her hometown of Pittsburgh PA, she enjoys stone setting, repair work, and creating custom designs. When not making jewelry, Mechelle enjoys traveling and spending time with her family.

Mechelle Lois

Cynthia Downs

Alessandro Aria

Chris Ploof

Gerry Davies

George W. Fischer

Kelly Jean Conroy was born in 1983, in Sheboygan, Wisconsin. Growing up in New England and being raised by an artist mother who emphasized making and painting, eventually led her to attaining her BFA from Syracuse University in art education and painting. She completed her MFA in Jewelry Metals from the University of Massachusetts Dartmouth in 2013. She is currently teaching metalsmithing at Lincoln Sudbury Regional High School and Metalwerx. She has previously taught Continuing Ed Jewelry courses at Massachusetts College of Art, Haystack Mountain School of Crafts, Peters Valley School of Craft, Snowfarm, and the Worcester Center for Crafts. Her personal work focuses on life cycles in nature within a jewelry format. Her specialties are enameling, working with natural materials: carving bone, piercing mother of pearl, laser cutting, and casting.

Kelly Jean Conroy

Pattie Parkhurst has been pursuing jewelry craft since she was a young child.  This passion led her to pursue metalsmithing in college.  After graduating, she worked as a jeweler and continued her education by taking a multitude of workshops taught by master metalsmiths, which expanded her skills tremendously.  By 35, Pattie became part owner of a metalsmithing school that specialized in master workshops.
After college, Pattie served on the board of The Colorado Metalsmithing Association (COMA) where she learned the anticlastic raising metal technique.  This process involves hammering different metals, over and over on an antler-like form.  By immersing herself in this ancient technique, she combines her love for nature and metalsmithing into cohesive nature inspired metal forms.
Her work is mastered and constantly evolving through observational learning, a continuous process that comes from having many jewelry-related businesses.  Pattie loves outdoor adventures, guest lecturing, and teaching.
Richard Sweetman is an artist and teacher with a BFA degree from Colorado State and an MFA degree from the University of Oregon.  He worked as a goldsmith for George McLean Goldsmith in San Francisco.  Richard then taught for many years and has the distinction of starting the Jewelry and Metalwork Program at Arapahoe Community College near Denver.  Several summers he continued to learn and sharpen his skills at Haystack Mountain School of Crafts in Deer Isle, Maine.  He currently teaches workshops at his studio and for other guilds.

Pattie Parkhurst and Richard Sweetman

Milt Fischbein is an independent metal artist and educator. He is a professional engineer who discovered his love of working with precious metals almost 30 years ago, while taking an introduction to jewellery class at the Alberta College of Art and Design.
He is one of only a handful of metal artists in North America whose primary focus is the design and fabrication of filigree objects. Milt has been fine tuning ancient filigree fabrication techniques in his Calgary, Alberta studio, creating a body of contemporary and gold filigree jewellery. Milt has been passing on his knowledge of filigree techniques through in person and online workshops and lectures. He is a professional member of the Alberta Craft Council.
His works have been published in Edmonton’s Where Magazine, Alberta Craft Magazine and in Victoria Lansford’s 2019 Update of her Russian Filigree DVD. A write up on his studio was featured in the July 2017 issue of the MJSA Journal.

Customize Your Tools

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