How to Solder a Bezel Cup to a Ring Band

How to Make a Picture Frame Pendant

Troubleshooting Soldering

Soldering Techniques from Beginner to Advanced

Introduction to Soldering

How to Solder Two Rings Together

How to Mount Objects in Metal Frames

De-oxidized Sterling Silver Alloys

Soldering Demystified: Debunking a Soldering Myth

Richard Reinhardt: Discontinuous Continuity

The Contemporary American Custom Goldsmithing

How to Repair a Hollow Rope Chain

Damascus and Pattern Welding

The Best Flux For Soldering Jewelry: How To Choose The Right One For Your Project

Master Metalsmith Alan Adler

Master Metalsmith John Prip

Debunking a Soldering Myth 2

Overcoming Bench Mistakes

Fabricated Reversible Pearl Pendant

Debunking a Soldering Myth 1

Setting Stones in Wax

Prong Setting & Ring Sizing Tips

Jewelry Designs: Raindrops Pendant

Jewelry Designs: Steeplechase Pendant

Chain Repair Paste Solder Method

Re-tipping Platinum Prongs

Resizing Damaged Rings

Dealing with Fire Scale

Soldering Hints and Tricks

Basic Jewelry Construction and Soldering Principles

Plique-a-Jour Russian Soldering Method

Special Repair Work

Carat Gold Solders for Jewellery Making

Tips on How to Master Soldering

Avoiding Melting Soldered Seams

Solder Flow Retardant Notes

Soldering Parts Using Pourable Soldering Jig

Jeweler’s Torches Explained: What Kind Do You Need?

Protecting Gems While Soldering

Manufacturing Mokume Gane Jewelry

Set Up Your Torch

Making Silver Whistles

Magnesia Blocks Myth Debunked

How to Use the Conduction Soldering Technique

Perfectly Fit Bezel

The Best Jewelry Soldering Tip Ever

Hydrogen Torch

AKELO – ANDREA CAGNETTI. The Secrets of Etruscan Golden Jewe

Using a mouth-pipe to solder

Making silver solder

How To Safely Set Up a Propane / Oxygen Torch

Soldering and Working With Argentium Silver

How To Choose the Right Soldering Torch for Jewelry Making

Ring

Bead Wrapped Pendant with Jewelry Arts Institute

Twisted Wire Hoop Earrings with Jewelry Arts Institute

Silver Wire Wrapped Bead Ring with Jewelry Arts Institute

Silver Stacking Rings with Jewelry Arts Institute

Hammered Sterling Silver Bangle with Jewelry Arts Institute

Reticulated Earrings with Jewelry Arts Institute

Silver Bangle Bracelets with Jewelry Arts Institute

Bezel set Earrings with Jewelry Arts Institute

Acetylene Torch Safety and Use with Jewelry Arts Institute

Chain Link Necklace with Jewelry Arts Institute

Hammered Flower Earrings with Jewelry Arts Institute

brooch.

Tanzanite Ring part two

Earrings

Tube Setting Tutorial

How to solder tiny ring components

Banksy Balloon Girl Necklace

Tattoo style pendant

Fabricating a Simple Silver Ring(Part2)

Fabricating a Simple Silver Ring(Part1)

12 – Soldering Jump Rings

fabricate a silver violin – part one

Filigree Soldering Demo Part 3

Filigree Soldering Demo part 2

Fiilgree Soldering Demo – Part 1

Mokum Gan Band by AndrosCreations

Jewelry Welding – Welding Findings

Jewelry Welding – Prong Re-Tipping

Jewelry Welding – Custom Welding

Making a Three Stone Ring – Part 1

custom necklace part 7,, the last part

Custom Necklace Part 6

Heetrix – Swivel Soldering Unit

Solderite Board

Soldering is an essential skill for jewelry making. Our articles include how-to guides, discussions of tools and techniques, and advice for repairs.

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Jewelry Repair

Jewelry Schools

Jewelry Stores and Galleries

Jewelry Trade Associations

Miscellaneous Jewelry Related Products and Services

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Preserving Rusted Objects for Jewelry

Feedback on a Pavé Design

James Miller Jewelry Gallery

Clasps for a Bolo Tie

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6 Basic Wire Skills to Make a Necklace

Metal Engraving Tools Explained: How To Choose And Prepare Gravers For Jewelry Work

Hollow Ring Project

How to Make a Paper Clip Bracelet

How to Make Threader Earrings

How to Set a Stone, Polish and Finish a Bezel Set Ring

Master goldsmith <a href="http://www.brainpress.com/LewtonBrain.html">Charles Lewton-Brain</a> trained, studied and worked in Germany, Canada and the United States to learn the skills he uses. Charles Lewton-Brain is one of the original creators of Ganoksin.

Charles Lewton-Brain

Mechelle Lois is a professional bench jeweler who was classically trained in jewelry making and repair at the highly regarded North Bennet Street School in Boston MA. Now based in her hometown of Pittsburgh PA, she enjoys stone setting, repair work, and creating custom designs. When not making jewelry, Mechelle enjoys traveling and spending time with her family.

Mechelle Lois

Cynthia Downs

Alessandro Aria

Chris Ploof

Gerry Davies

George W. Fischer

Kelly Jean Conroy was born in 1983, in Sheboygan, Wisconsin. Growing up in New England and being raised by an artist mother who emphasized making and painting, eventually led her to attaining her BFA from Syracuse University in art education and painting. She completed her MFA in Jewelry Metals from the University of Massachusetts Dartmouth in 2013. She is currently teaching metalsmithing at Lincoln Sudbury Regional High School and Metalwerx. She has previously taught Continuing Ed Jewelry courses at Massachusetts College of Art, Haystack Mountain School of Crafts, Peters Valley School of Craft, Snowfarm, and the Worcester Center for Crafts. Her personal work focuses on life cycles in nature within a jewelry format. Her specialties are enameling, working with natural materials: carving bone, piercing mother of pearl, laser cutting, and casting.

Kelly Jean Conroy

Pattie Parkhurst has been pursuing jewelry craft since she was a young child.  This passion led her to pursue metalsmithing in college.  After graduating, she worked as a jeweler and continued her education by taking a multitude of workshops taught by master metalsmiths, which expanded her skills tremendously.  By 35, Pattie became part owner of a metalsmithing school that specialized in master workshops.
After college, Pattie served on the board of The Colorado Metalsmithing Association (COMA) where she learned the anticlastic raising metal technique.  This process involves hammering different metals, over and over on an antler-like form.  By immersing herself in this ancient technique, she combines her love for nature and metalsmithing into cohesive nature inspired metal forms.
Her work is mastered and constantly evolving through observational learning, a continuous process that comes from having many jewelry-related businesses.  Pattie loves outdoor adventures, guest lecturing, and teaching.
Richard Sweetman is an artist and teacher with a BFA degree from Colorado State and an MFA degree from the University of Oregon.  He worked as a goldsmith for George McLean Goldsmith in San Francisco.  Richard then taught for many years and has the distinction of starting the Jewelry and Metalwork Program at Arapahoe Community College near Denver.  Several summers he continued to learn and sharpen his skills at Haystack Mountain School of Crafts in Deer Isle, Maine.  He currently teaches workshops at his studio and for other guilds.

Pattie Parkhurst and Richard Sweetman

Milt Fischbein is an independent metal artist and educator. He is a professional 
engineer who discovered his love of working with precious metals almost 30 
years ago, while taking an introduction to jewellery class at the Alberta College of 
Art and Design.
He is one of only a handful of metal artists in North America whose primary focus 
is the design and fabrication of filigree objects. Milt has been fine tuning ancient 
filigree fabrication techniques in his Calgary Alberta studio, creating a body of 
contemporary silver and gold filigree jewellery. Milt has been passing on his 
knowledge of filigree techniques through in person and online workshops and 
lectures. He is a professional member of the Alberta Craft Council.
His works have been published in Edmonton’s Where Magazine, Alberta Craft 
Magazine and in Victoria Lansford’s 2019 Update of her Russian Filigree DVD. 
A write up on his studio was featured in the July 2017 issue of the MJSA Journal.

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