Eliminating Ash Residue Defects

5 Classic Casting Tips

Wax Model Carving

Wax Casting Burnout Cycles

Important Principles of Casting Safety

How to Make a Wax Injector

Frequently Used Wax Tools

Investment Procedure for Lost Wax Casting

Five Steps for Successful Investing

The Sprue System Design

Testing the Ultra-Vest MAXX Investment

Improved Anti-fire Scale Casting Procedure

Casting Investment Powder Performances

Testing the New HD Patterns

Casting Notes for Silver Lost Wax Casting

Etype Automated Wax Injection System

Revving Up the Burnout Process

Lost Wax Casting – [9/9] Finishing and Polishing

Lost Wax Casting – [8/9] Cutting the charms off of the sprue

Lost Wax Casting – [7/9] Cleaning the newly cast charms

Lost Wax Casting – [6/9] Quenching the hot flasks

Lost Wax Casting – [5/9] Casting the silver in the heated fl

Lost Wax Casting – [4/9] Burning out the flasks

Lost Wax Casting – [3/9] Dewaxing the flasks

Lost Wax Casting – [2/9] Investing the wax-filled flasks

Lost Wax Casting – [1/9] Sprueing waxes

Lost Wax Casting Part 9 of 9 Finishing the charms

Lost Wax Casting Part 8 of 9 Cutting the sprues

Lost Wax Casting Part 5 of 9 Casting the Silver

Lost Wax Casting Part 7 of 9 Cleaning the Castings

Lost Wax Casting Part 6 of 9 Quenching the Flasks

Lost Wax Casting Part 4 of 9 Burning Out

Lost Wax Casting Part 3 of 9 Steam Dewaxing

Lost Wax Casting Part 1 of 9 Sprueing

Hollowing Out A Wax Model For Lost Wax Casting

Master the lost wax casting technique for jewelry making. Our articles cover materials, tools, and procedures as well as product reviews and advice.

Lost Wax Casting

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6 Basic Wire Skills to Make a Necklace

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Hollow Ring Project

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Master goldsmith <a href="http://www.brainpress.com/LewtonBrain.html">Charles Lewton-Brain</a> trained, studied and worked in Germany, Canada and the United States to learn the skills he uses. Charles Lewton-Brain is one of the original creators of Ganoksin.

Charles Lewton-Brain

Mechelle Lois is a professional bench jeweler who was classically trained in jewelry making and repair at the highly regarded North Bennet Street School in Boston MA. Now based in her hometown of Pittsburgh PA, she enjoys stone setting, repair work, and creating custom designs. When not making jewelry, Mechelle enjoys traveling and spending time with her family.

Mechelle Lois

Cynthia Downs

Alessandro Aria

Chris Ploof

Gerry Davies

George W. Fischer

Kelly Jean Conroy was born in 1983, in Sheboygan, Wisconsin. Growing up in New England and being raised by an artist mother who emphasized making and painting, eventually led her to attaining her BFA from Syracuse University in art education and painting. She completed her MFA in Jewelry Metals from the University of Massachusetts Dartmouth in 2013. She is currently teaching metalsmithing at Lincoln Sudbury Regional High School and Metalwerx. She has previously taught Continuing Ed Jewelry courses at Massachusetts College of Art, Haystack Mountain School of Crafts, Peters Valley School of Craft, Snowfarm, and the Worcester Center for Crafts. Her personal work focuses on life cycles in nature within a jewelry format. Her specialties are enameling, working with natural materials: carving bone, piercing mother of pearl, laser cutting, and casting.

Kelly Jean Conroy

Pattie Parkhurst has been pursuing jewelry craft since she was a young child.  This passion led her to pursue metalsmithing in college.  After graduating, she worked as a jeweler and continued her education by taking a multitude of workshops taught by master metalsmiths, which expanded her skills tremendously.  By 35, Pattie became part owner of a metalsmithing school that specialized in master workshops.
After college, Pattie served on the board of The Colorado Metalsmithing Association (COMA) where she learned the anticlastic raising metal technique.  This process involves hammering different metals, over and over on an antler-like form.  By immersing herself in this ancient technique, she combines her love for nature and metalsmithing into cohesive nature inspired metal forms.
Her work is mastered and constantly evolving through observational learning, a continuous process that comes from having many jewelry-related businesses.  Pattie loves outdoor adventures, guest lecturing, and teaching.
Richard Sweetman is an artist and teacher with a BFA degree from Colorado State and an MFA degree from the University of Oregon.  He worked as a goldsmith for George McLean Goldsmith in San Francisco.  Richard then taught for many years and has the distinction of starting the Jewelry and Metalwork Program at Arapahoe Community College near Denver.  Several summers he continued to learn and sharpen his skills at Haystack Mountain School of Crafts in Deer Isle, Maine.  He currently teaches workshops at his studio and for other guilds.

Pattie Parkhurst and Richard Sweetman

Milt Fischbein is an independent metal artist and educator. He is a professional 
engineer who discovered his love of working with precious metals almost 30 
years ago, while taking an introduction to jewellery class at the Alberta College of 
Art and Design.
He is one of only a handful of metal artists in North America whose primary focus 
is the design and fabrication of filigree objects. Milt has been fine tuning ancient 
filigree fabrication techniques in his Calgary Alberta studio, creating a body of 
contemporary silver and gold filigree jewellery. Milt has been passing on his 
knowledge of filigree techniques through in person and online workshops and 
lectures. He is a professional member of the Alberta Craft Council.
His works have been published in Edmonton’s Where Magazine, Alberta Craft 
Magazine and in Victoria Lansford’s 2019 Update of her Russian Filigree DVD. 
A write up on his studio was featured in the July 2017 issue of the MJSA Journal.

Lost Wax Casting

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