Proudly South African

3 Minute Read

This article was originally posted on Userblogs on 8/20/2017.
By Barbara SchmidtMore from this author

Although the political situation has caused a reorientation and reevaluation of the entire society for years, not very much has happened to jewelry compared to other areas. The euro-centric approach - processing gold and diamonds to make traditional jewelry - faces the as yet relatively unperceived range of studio jewelry.

south african
Pendant "Web 1", sterling silver, telephone wire, cotton tape, fitted and woven. Weight: 30 grams. By Martina Dempf, 2003

In this sector of the market, artists, some of whom are re-immigrants, attempt to translate the richness of a multicultural society in a contemporary language of forms within their jewelry. In view of the fact that the new circumstances have created a growing middle class with the courage to be individual, these artists hope that they will be able to emerge from their niche status and reach the general public. A new South African self-confidence "Proudly South African" supports this return to the manifold cultural roots and the classical appraisal of the rich canon of forms in the cohabitating cultures. Over the last few years, this has produced a new discussion on the topic of value, as traditional standards can now be reappraised and drawn on without any reservations.

Cape College, Cape Town, workshop studio
Necklace made of sea anemone cut into slices with fitted, woven and forged silver by Lesley Ross
Cape College, Cape Town, studio. Participant Jamil Fillies

In order to support this development, an unusual workshop was created in cooperation with the Saarland Trade Guild and the Crafts Council South Africa (CCSA) within the framework of a partnership project (financed by the Federal Ministry for Cooperation and Development BMZ) under the tried and tested leadership of Martina Dempf from Berlin - herself jewelry designer and ethnologist: over two weeks of concentrated appraisal, the traditional skill of weaving telephone wires was combined with jewelry design. Weaving telephone wires is one of the fantastic, special skills with which original, funny and appealing objects were created by crafts experts in South Africa using apparent rubbish. Several aspects are part of the concept: telephone wire is an inexpensive and contemporary basic material, is produced industrially, is available in a lot of attractive colors and offers manifold design possibilities. Therefore, it is not an exorbitantly expensive basic investment for most freelance jewelry makers to use this material. Accordingly, goldsmiths, jewelry artists and telephone wire weavers met at Cape College in Cape Town in order to network experience, to learn from each other and to encourage new development. The basic techniques, which are derived from basket weaving, were easy to learn and the styles and approaches to transfer this elementary technique to jewelry quickly branched out. The colored telephone wire was combined with silver in order to preserve a certain material value of the objects and to create new aesthetic attraction.

Necklace "Web 2", sterling silver wire, fine silver wire, horse hair, fitted, forged and woven. Weight: 13 grams. By Martina Dempf, 2003

Cape College, Cape Town, studio. Participant Paul Ndudula
Cape College, Cape Town. Weaving a bracelet made of telephone wire

The approach of combining weaving professionals with jewelry professionals bore fruit in different ways: firstly, the goldsmiths learned how to weave and also developed new variations. Secondly, the telephone wire weavers realized that they would also benefit from basic goldsmith techniques. They asked for additional training in order to be able to offer other, more valuable work in the future.

Necklace made of silver, glass beads and telephone wire by Meagan Meredith
Spiral earrings, fitted silver and glass beads by Jane Mc Illeron
Brooch made of woven telephone wire by Farieda Nazier
Pendant: sea urchin with stainless steel wire woven around it, inside fitted silver with green zirconium by Lizel Strachan
Final presentation at the Garden Center, Cape Town
Necklace (choker) made of silver, buttons and telephone wire by Meagan Meredith

The successful final presentation of the results received an enthusiastic echo, not only from experts and the media, but also from the interested public and companies wishing to commission gifts and accessories. The Saarland Trade Corporation Stand at the IHM Trade Fair in Munich in March 2004 will feature a selection of the work by the Crafts Council South Africa.

by Barbara Schmidt

You assume all responsibility and risk for the use of the safety resources available on or through this web page. The International Gem Society LLC does not assume any liability for the materials, information and opinions provided on, or available through, this web page. No advice or information provided by this website shall create any warranty. Reliance on such advice, information or the content of this web page is solely at your own risk, including without limitation any safety guidelines, resources or precautions, or any other information related to safety that may be available on or through this web page. The International Gem Society LLC disclaims any liability for injury, death or damages resulting from the use thereof.

Barbara Schmidt

The All-In-One Jewelry Making Solution At Your Fingertips

When you join the Ganoksin community, you get the tools you need to take your work to the next level.

Become a Member

Trusted Jewelry Making Information & Techniques

Sign up to receive the latest articles, techniques, and inspirations with our free newsletter.