Celebrating its move to a new location, Creative Metalsmiths featured the slick art jewelry of Joan Michlin. Her futuristic style was toned down with materials that have transcended time—all gold jewelry, most with a small diamond or two. The highly reflective surfaces were technically flawless, well designed and artistically appealing. Man-made chains were the most disturbing element, although they were an important factor in keeping the prices within an affordable range.
Joan Michlin: Current Metalsmithing
Creative Metalsmiths, Chapel Hill, North Carolina
A native of Michigan and product of Memphis Academy of Art, Michlin has been living and working in New York City for four years. In college she created jewelry to sell at craft fairs, and now she has achieved a successful fusion between the commercial and art worlds. She utilizes production casters and diamond setters, while remaining true to academic design concepts. Light, energy and motion synthesize in Michlin’s work, whose space-age titles add to the message: Streak, Explosions and Futuristic Fan. One sensed a tightness to her work, almost demanding to be let free, like a comet ready to soar. Joan Michlin’s collection presented a strong, unified design approach, with the exception of two nonfunctional items: The Engraver’s lease, an engraving tool made from fine silver with a carved malachite handle, and The Weaver’s Tease, a similarly well-executed piece.
This show was important not only for the artist and the three other “creative metalsmiths” who own the Chapel Hill gallery, but for the trend it represents—a trend towards metal artists creating their own avenues of employment. With college teaching jobs at best, stabilized, at worst, lading, this new breed has had to fight to establish itself. By exploring more commercial ventures, like designing for the public and opening small shops and galleries, this group has taken risks and should be credited with bringing art jewelry out of its ivory tower. Welcome to the real world.