The Ganoksin Project -  Jewelry Manufacturing Methods and Techniques - Since 1996
Donate!
If you believe in what we're doing, you can help!
Orchid Message Archives
[Orchid] Reconditioning Beading Tools & Dot Punches [Update]
-> Navigate by Topic: [Thread Prev] [Thread Next]
-> Navigate by Date: [Message Prev] [Message Next]
-> Locate this message on the Date Tree or Thread Tree


Jewelryartschool Tuesday, July 15, 2003
   
========[ Invite a Friend - http://www.ganoksin.com/invite.htm  ]========



	Reconditioning Beading Tools & Dot Punches
	(Copyright - Brian P. Marshall -2003)

	Updated version of:
	http://www.ganoksin.com/orchid/archive/200306/msg01096.htm


    Beading tools and dot punches lose their form and become dull as you
    use them. You can recondition a tool at least ten or twelve times,
    or you may need a special size, or perfect polish for a particular
    job. 

    They can be reconditioned fairly easily. The best tool that I have
    found to do this is the 40 hole "beading block" available from
    metalsmithing suppliers and jewelry tool suppliers. Made in
    Switzerland, it has four rows of ten beads, set down into cone
    shaped depressions in a steel block, about 1" x 2 1/4". Each row is
    identical, in case you should damage one of them. 

    First ANNEAL the tip of your damaged tool, whether it is a "dot"
    background punch or a jewelers beading tool. I usually run the tip
    of the tool and part of the shank across a bar of Ivory soap
    beforehand to keep the firescale down. You can slow down the
    cooling, and sometimes get a softer tool, by burying it in a can of
    dry sand while it is cooling. Either way -- air cooling or in sand
    the tool will darken. 

    Chuck it up in a #30 flexshaft handpiece and true up the cutting
    edges of the cup against a sharpening stone while spinning the tool.
    Do this slowly and carefully -- check to see how much you've taken
    off every few seconds. You may have to take a bit off the shank side
    wall angle, as well as the actual lip of the tool. 

    Remove the tool from your handpiece. Place the tool into the right
    sized depression in your beading block and strike it gently with a
    brass or copper hammer. Check the result for depth and center.
    Repeat as necessary until you get the "cup" depression to look as
    much like the original tool as possible. You may need to chuck it up
    and spin it against the stone to get a bit of bevel on the outside
    edge. Reheat the tip to red and harden, using water or oil to
    quench, depending on the type of steel the tool is made of. If you
    aren't sure, experiment with the water first. The tools are not
    expensive, so if you wind up ruining a couple 'till you get it
    right=A6 Oh well=A6 

    When the tool is hardened, wrap a bit of 400 wet or dry sandpaper
    around the bottom third and clean off the firescale -- again by
    chucking it in the handpiece and spinning it slowly until you
    achieve a bright finish on the bottom half of the tool -- especially
    the taper that ends in the working cup. Take it out of the
    handpiece. Now you'll be able to see the color change as you reheat
    it very gently with a bushy flame. Start this from about the middle
    of the shank, watching the colors creep toward the tip. 

    Quench immediately when the tip reaches light straw. Finish by
    polishing the cup - putting it back into the handpiece, spinning and
    pressing it into a bit of diamond paste on a piece of hardwood or
    hard leather, 

    As I said earlier the tools are not real expensive, but you will
    find that they are very hard to come by in the wee hours of the
    morning, when that customer is gonna be at the door as soon as you
    open for business=A6. 


Thanks,
Brian





Click to Visit


Bookmark and Share Printer View Printer View
Navigate:
Orchid Resources:

 

Donate! If you believe in what we're doing, you can help!