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The Ganoksin project provides a variety of quality services for the gem and jewelry community. We work hard to maintain the high standards of our services for the benefit of our visitors. Our services are provided free of charge and to the benefit to all.
Ganoksin is dedicated to serve the information needs of the world's jewelers. It is our mission to educate, improve working conditions and facilitate sharing between goldsmiths globally. Ganoksin continues improving access to information for productivity, safety, skills and education of all jewelers, professionals and hobbyists.
Ganoksin maintains a substantial library of articles, publications, reports, and technical data on gem and jewelry related topics; many of which were authored by some of the most esteemed writers within their respective fields. In addition, this site contains a sizable collection of art and jewelry galleries, for both the casual visitor and the professional.
Ganoksin also provide members blogs and forums for the exchange of information and opinion; with contributors from all over the world speaking from a wide range of technical and aesthetic experiences, covering a full range of topics of interest to the jeweler and the gemologist.
Artists were free to interpret the theme in any way they chose. Each artist could submit up to six pieces. Interpretations include uniting different materials into one cohesive form; intellectual and emotional "unitings", where the meaning of the piece unites multiple concepts; the uniting of time - past, present and future; and a number that focus on the harmony created when uniting multiple materials and/or concepts.
The work submitted involved a wide range of jewelry techniques, from very traditional to very cutting edge, as well as using materials from traditional precious metals and gemstones to "re-purposed" and "up-cycled" materials.
Affliction Series, untitled
Materials:
Copper, Cement, Synthetic Rubies, Patina
Dimensions:
1.75" x 0.5" x 0.75"
Photo credit:
Katie Poterala
The exhibition showcases 330 images chosen from entries from over 111 artists representing 26 countries:
Argentina, Australia, Belgium, Brazil, Canada, Colombia, Czech Republic, France, Greece, India, Israel, Italy, Malta, Mauritius, Mexico, Netherlands, New Zealand, Philippines, Serbia, Spain, Trinidad, Turkey, UK, USA, Venezuela, and the Virgin Islands
Jeff Mathews has developed a process for polishing the inside of platinum rings using 3M abrasive technology. To illustrate how he performs the job, I follow his procedures using this hand fabricated flat platinum band. Tool and forming marks are easily visible. The quality and identification...
Colored gemstone mining is a hard thing to pin down. The vast majority of mining is still done by independent, small-scale miners, working in remote locations and selling to buyers who pay cash and may or may not declare their gems on export. For many producing countries, particularly in Africa, the...
There are two brands of metal clay available today; Precious Metal Clay and Art Clay Silver. There are a lot of similarities between the two, and some differences. My experience is with Precious Metal Clay (PMC), so the techniques and methods that I write about will be from this vantage point....
Though sand casting has been largely replaced by centrifugal casting in recent decades, for hundreds of years it was the most popular of all casting methods. It still plays an important role in the production of large metal forms, and can offer the advantages of low cost, quick results and ease of...
The flex-shaft is a wonderful tool - but one that jewelers rarely use to its maximum advantage. Usually the first piece of serious equipment in which hobbyists or graduate jewelry students invest, the flex-shaft system makes bench work much easier: It reduces effort and fatigue, enhances production,...
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