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The Ganoksin project provides a variety of quality services for the gem and jewelry community. We work hard to maintain the high standards of our services for the benefit of our visitors. Our services are provided free of charge and to the benefit to all.
Ganoksin is dedicated to serve the information needs of the world's jewelers. It is our mission to educate, improve working conditions and facilitate sharing between goldsmiths globally. Ganoksin continues improving access to information for productivity, safety, skills and education of all jewelers, professionals and hobbyists.
Ganoksin maintains a substantial library of articles, publications, reports, and technical data on gem and jewelry related topics; many of which were authored by some of the most esteemed writers within their respective fields. In addition, this site contains a sizable collection of art and jewelry galleries, for both the casual visitor and the professional.
Ganoksin also provide members blogs and forums for the exchange of information and opinion; with contributors from all over the world speaking from a wide range of technical and aesthetic experiences, covering a full range of topics of interest to the jeweler and the gemologist.
Artists were free to interpret the theme in any way they chose. Each artist could submit up to six pieces. Interpretations include uniting different materials into one cohesive form; intellectual and emotional "unitings", where the meaning of the piece unites multiple concepts; the uniting of time - past, present and future; and a number that focus on the harmony created when uniting multiple materials and/or concepts.
The work submitted involved a wide range of jewelry techniques, from very traditional to very cutting edge, as well as using materials from traditional precious metals and gemstones to "re-purposed" and "up-cycled" materials.
Affliction Series, untitled
Materials:
Copper, Cement, Synthetic Rubies, Patina
Dimensions:
1.75" x 0.5" x 0.75"
Photo credit:
Katie Poterala
The exhibition showcases 330 images chosen from entries from over 111 artists representing 26 countries:
Argentina, Australia, Belgium, Brazil, Canada, Colombia, Czech Republic, France, Greece, India, Israel, Italy, Malta, Mauritius, Mexico, Netherlands, New Zealand, Philippines, Serbia, Spain, Trinidad, Turkey, UK, USA, Venezuela, and the Virgin Islands
The art of gem cutting (glyptics in Greek) is one of the oldest testimonies to how installed, fascinating miniatures can transform gemstones into tiny works of art with immense charisma and magical significance. Decoration, symbols and magic formulae that still fascinate and have given gemstone...
Difficult times are often good times for the unusual. The higher the hurdle that must be overcome to make clients decide to buy, the more important are originality and exclusiveness. Proven, well-loved, timeless... This year the trend is toward lasting values. That iss why classic gemstones are...
There are numerous mass production processes that bench jewelers can adapt and use to streamline their studio jewelry work. One of the organizational approaches used in factories is keeping parts in velvet-lined trays and moving them from one tray to the next as they progress through the...
A vertical copy stand is sometimes used for shooting prints, drawings, jewelry and other fairly flat objects. A copy stand is designed so that one has vertical movement of the camera while it faces down. There are usually fixed lights at 45 degree angles to the shooting surface. The vertical column...
This small paperback book is written and illustrated by Jan Radford. At 8.95 it is an affordable introduction to ´Indian´ style beaded earrings made with small glass beads. It has a somewhat dry, thin feel to it, but for someone interested in a straightforward text on the subject it...
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