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Often craftspeople
start out making craft objects in their living space, a kitchen, a living
room, and sometimes continue working in them even when they have grown to
the point that they need a separate studio. It is not wise to share one's
living and family space with workshop space. Usually there are chemicals,
tools, equipment, processes, sounds, materials, wastes, dusts and so on
that are unhealthy to be exposed to that are produced in a work shop. If
you have these in your living space as well your total exposure increases
greatly and your body does not get a chance to recover from any stresses
it is experiencing. Your 'body burden' will grow (the body burden is the
amount of chemicals that are stored in your body and accumulate in your
fat or bones). It is a good idea to have your office, too, in a separate
room than your workshop. This is to decrease your overall interactions with
your workshop materials and processes. Your house is generally quite full
enough of chemicals and dusts without you adding to the exposure problem.
Remember, too, don't do living space things in your workshop: eating, smoking
and drinking are all not recommended in the shop.
There are some crafts that are inherently safer than others, a person
knitting for example does not encounter the same threats to health that
a cabinet maker would. You should consider carefully what you do and what
your particular health hazards are in deciding how to separate your workshop
and living areas.
Physical space If possible have your workshop in a separate building than your living
space. A garage is reasonable. Make sure your workshop has sufficient
ventilation for what you are doing with it. Ensure that any emanations
from the shop are not sucked back into your living space by air intakes
on your house.
If your studio is in an attached garage or a basement room you have to
careful about ventilation and where the make-up air comes from, especially
with gas heat in your home. Jim Binnion writes "If the fan in your
soldering (exhaust) hood is pushing more air out of your shop than there
is fresh air coming in from the outside the fan will pull the air it needs
backwards through the flues of the (gas fired) heater and water heaters.
This can fill your shop with carbon monoxide and other residue from the
gas flames. If you heat your shop or water with gas fired appliances please
be careful with your exhaust fan design." ( I Attempted to build a ventilation system But..., Jan. 17,
00)
Work Clothing People in factories wear work clothing because it is safer. It protects
the user in the shop from materials and dangers such as fire as well as
keeping the studio's dangers away from their living space.
Using work clothes such as an apron, overalls or a jumpsuit helps keep
chemicals and material residues in the workshop and out of the rest of
your life, and your family's life. A jumpsuit may be the best thing to
use, as it is easily removed, washed, changed if you have several. Work
clothing should be washed regularly and separately from other laundry.
Frequent washing may be a good idea. Safety experts consider dry cleaning
essential in order to remove the chemicals and oils that can cause dermatitis
(Quinn et al. 14). Tests have shown ordinary washing removes only half
of contaminants such as mineral or cutting oils in a machine shop setting
(Kinnersly 186).
While we generally think of the workshop hazards coming into your home
from the shop, sometimes things go the other way, and your 'home' goes
to those hazards. Children and pets can endanger themselves in a shop,
and easily bring back contaminating chemicals or dusts into the living
space. Children are particularly susceptible to chemical exposure because
of their small body size. In general it is not a good idea to allow children
into the workshop. I know of someone whose little toddler died in their
arms in their workshop after drinking some cyanide solution. You need
strict rules about access to the workshop, how to behave when there, and
also about touching anything without permission. If children have even
occasional access to the workshop, all power tools (and noxious chemicals)
should be locked away and stored high up when not in use. You don't want
the responsibility of a mangled child upon your head, so set boundaries
and rules and store those hazardous tools and chemicals safely. It takes
only a second to have a irreversible tragedy on your hands, your liability
and your conscience.
As well as children, chemical exposures may affect the elderly more seriously,
because their ability to "transform and detoxify chemicals is likely
to have declined" (Spandorfer et al. 9).
And Wash Those Hands We use our hands so much in a craft shop that they get exposed to all
kinds of chemicals, material residues and dusts, quite apart from the
physical stresses on them. It is very important to develop a hand-washing
habit to reduce contamination of yourself (mouth touching, eating etc.).
Washing your hands regularly during the day, and washing them thoroughly
before leaving, as part of your "shutting down the shop" ritual,
can help reduce your overall exposure to chemicals significantly. Use
a mild, pH-balanced soap to wash with. Some suggest avoiding bactericidal
soaps to avoid breeding bacteria resistant to bactericides. Don't bite
your nails, and wash under them with a short, stiff-bristled brush. Many
people also use hand lotions of various kinds after rinsing. Waller suggests
that you apply a hand lotion twice a day to replace skin oils that have
been removed, even if you were only dipping your hands in water (15).
Things to remember:
- Have your workshop separate from your living space.
- Consider ventilation and make-up air issues
- Do not share living and eating space with workshop processes.
- Use work clothing and wash it correctly.
- No children or pets in the shop.
- Wash Those Hands
Cited:
- Jim Binnion, Orchid "I Attempted to build
a ventilation system But...", Jan. 17, 2000
- Kinnersly, Patrick. The Hazards of Work: How to
Fight Them. London: Pluto Press, 1973.
- Quinn, Margaret, et al, eds. What You Should Know
About Health and Safety in the Jewelry Industry. Providence, RI: The Jewelry
Workers Health and Safety Research Group, nd.
- Spandorfer, Merle, et al. Making Art Safely. New
York: Van Nostrand Reinhold, 1993.
- Waller, Julian. Safe Practices in the Arts &
Crafts: A Studio Guide. 2nd ed. New York: College Art Association of America,
1985
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