a technique which has become popular for some kinds of fashion jewellery
in recent years. Usually a patina requires the application of a toxic
chemical mixture or the conversion of the metal surface to a salt of it's
metal. For most patinations then good ventilation and a knowledge of chemistry
is necessary. There are however a number of old patination techniques
which are based on a simple conversion of the metal surface to a colored
salt or decomposition product of the metal. In ancient times metal objects
might have been buried in manure or different earths, or even placed in
contact with urine soaked porous materials such as sawdust to convert
the surface to a colored patina. Going into the kitchen one can find a
number of chemicals which can be used to convert copper surfaces or copper
alloy metals to patinas. Salt for example may be sprinkled on a copper
surface and then exposed to a humid atmosphere such as above a dryer or
in a plastic bag with water in it to cause a major surface change as the
copper is converted to copper chlorides. This results in a mottled azure
green surface on a pinkish base. The process can take several days or
longer. Afterwards the surface is briskly brushed off with a fiber bristled
brush and sealed with a wax or plastic such as clear auto enamel.
Another easy conversion uses household ammonia fumes to convert the copper
or copper alloy (brass for example) to copper hydroxides which are bluish
green. One cleans the copper surface to strip it of all greases and oxides.
Pumice powder or heating and pickling followed by a brass brushing with
soapy water and a scrub with dish washing liquid and household ammonia
will be an excellent cleaning procedure. The object is then placed into
a sealed container with some household ammonia in a pan on the bottom
of the container. This is left to fume for some time, up to several days.
Brass and bronze however become damaged by the ammonia and so should not
be fumed longer than several hours. A light dampness to the surface will
speed the reaction. Faster yet and strongly blue is to use a dilute salt
solution which is painted or sprayed on the metal. Fuming times will be
quick, one to four hours being usual. The object when ready is removed,
rinsed and fixed with a wax or sprayed acrylic coating. This is a relatively
fragile finish and needs a protective coating. If one was patient and
scrubbed off the loose patina in between repeatedly fuming it a very adhesive
surface could develop. The surface can be easily modified by using resists
such as thinned rubber cement to protect it or tying plants onto the surface
with thread in an 'Easter egg' dying technique. One can use salt in a
damp place and follow with fuming or the other way around for variation.
Vinegar may be used instead of or along with ammonia.