The tendency to dismiss enamelwork as a superficial artliterally, as a matter of surfaces glossing over the duller hues of base metal, and figuratively, as nothing more profound than a decorative, and therefore decadent, mode of appeal to the eye-has clearly diminished in recent decades..... (2003) Complete Story
Threadgills keen interest in ornament undoubtedly arises from her longstanding practice of etching motifs into the surfaces of her works, a process that she began perfecting as early as her graduate student days. In 1984, after studying the manner in which printed circuit boards were mass-manufactured, she developed a smaller and more portable version of industrys spray-etching machines. Armed with this technology, easily applicable to a photo-resist technique, she deftly created bas-relief patterns on thin metal plates that could be incorporated into larger and more complex works. (2009) Complete Story
Archetypal images in sheet-constructed holloware, the vessels of Robly Glover give concrete form to the most ethereal and intuitive of content. Fascinated by the notion of unconscious predilections that from the unfathomable recesses of the mind murmur their incessant persuasion over actions, Glover is an implicit Jungian. His work tacitly acknowledges both the reality of the soul and its nonsensory receptiveness to rhythms in nature and the influence of events from the remote past.... (2002) Complete Story
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