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There are a number of methods for plique a jour, a filigree technique that allows light to shine through the enamel, much like stained glass. With plique a jour, there is no backing for the vitreous enamel; instead a structure of metal is made with open spaces, called cells, for the enamels. I form a framework of fine silver square wire and within that framework I solder wires.... (2003) Complete Story
My design for a portrait in enamel is based on either a photocopy of a photograph or my sketch of the subject. The work is divided into small sections of various sizes and shapes. Each piece is an almost independent unit. Cutouts made from photocopies of the design are used for cutting the metal, blocking the area, transferring designs and shapes.... (2004) Complete Story
Enamel comes in a number of forms: lump, string, liquid, and powder, as well as in the optical qualities of transparent, opaque, and opalescent. The important factor in selecting an enamel is that it be made for the metal you are using. Enamel expands as it is fired and then contracts as it cools. This is called thermal expansion. The metal on which the enamel is fired must expand and contract at a slightly higher rate.... (2003) Complete Story
Each medium has its own vocabulary and so it is with enamels and enameling. The glass glaze material that is fused to the metal is enamel, the finished work is an enamel piece and the process is enameling. In other words, you enamel enamel with enamel.... (2003) Complete Story
Torch firing is a wonderful way to experience enameling in all of it stages. I see it as an extension to kiln fired enamels and not a replacement since the results are very different. It requires working from instinct with a sensitive observation of cause and effect. The torch oxidizes and blends the pigments, creates patterns and causes chemical reactions that do not occur with kiln firing. Firing times are intuitive and the temperature is controlled by the length of the flame. The torch fires with a cascade of heat, allowing for control over heat placement throughout the piece. Solder seams and delicate colors (soft enamels) thus can be avoided while areas needing high heat can be hit directly....
(2002) Complete Story
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