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Cool, glistening, and vaguely human, Jennifer Crupi's sculpture and jewelry arouse curiosity even as they evoke fear. While the power of body language in art is typically linked with dance, theater, and especially mime, the interplay between thought and gesture takes center stage in Crupi's work. At rest, her devices appear innocuous and unassuming. Once viewers engage their bodies, her devices become an edgy means to probe behavior, with its underlying psychological states and motives.... (2002) Complete Story
Jennifer Trask sometimes seems to approach jewelry like a natural historian, filling locket-sized, glass topped silver and gold cases with specimens isolated from the world around her. She likens herself to a Victorian taxonomist, and a whiff of the musty museum case does attend her forms. She affirms the association by inscribing the backs of the cases with the common and scientific names of the objects within..... (2002) Complete Story
For more than 20 years Judith Hoyt has parsed the human figure in metal and mixed media. Beginning with a salvaged scrap of metal, wood, a book, or other material with a history, she fashions solitary or paired figures, often with a surprised or pensive mien, She is a metallist to the extent that fabricated metal forms provide a ghostly surface on which opaque paint is sparingly applied..... (2004) Complete Story
Missiles chase one another around Mark Rooker's Circular Reasoning. Beneath the smoke plumes, lustrous silver water ripples on the bracelet's surface and separates two island nations, each with a but and a nearby hatch that opens to launch another exchange of missiles. Rooker describes Circular Reasoning as 'a diagram' of political madness. Tiny ladders lead us through the cross section, extending from the huts, down through the bracelet, to the system of loaded missile silos visible on the bracelet's interior..... (2003) Complete Story
Mounted in Paul McClure's silver pendant, Alveoli, are two pearls taken from a necklace his mother left him when she died of cancer. The work is a memento of her death, in memory of her life. Shaped like the bronchial branches of the lungs, the pendant references the tiny sacs that exchange oxygen and carbon dioxide from the blood.... (2003) Complete Story
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