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Three - dimensional objects will be well served by the methods described before, such as overhead diffuse lighting, fill card and mirror use. For flat things (like prints) use copy set - ups which primarily consist of extremely even light on the object and the camera centered properly on the work. Shiny things will need tents. We did, however, ask a number of craftspeople and artists whether there were any special considerations they felt were associated with different media. The following is derived from their comments.... (1996) Complete Story
The following is Consignment Agreement contract. It is intended for information purposes only although if you wish to use it that's okay too.... (1999) Complete Story
This is a method to reduce technical problems which one repeatedly experienes. We all find during the learning process that there are times when the same problem presents itself over and over again. Sometimes when beginning one overworks pieces to death in attempts to effect repairs, getting ever deeper into a mess by trying to fix the mistakes, rather... (1992) Complete Story
Cuff-links can work well as a plain three-part hinge. There are some basics to the construction of cuff-links. The cuff-link consists of three parts: the front decorative part you see in use.... (1996) Complete Story
This patination solution gives you a range of greens, olives, browns, black, turquoise and yellow-greens on many metals because it is a surface finish. It is quite adhesive and controllable. You do however need adequate ventilation.... (1996) Complete Story
