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The very term art jewelry has been bandied about so much within the past few decades that one must endeavor to apply the designation correctly, and, when attempting a book of this scope, fairly comprehensively. It would be impossible to include every artist jeweler working at this moment in time; therefore, the author should have chosen more carefully or qualified her objectives. It would have been preferable to narrow the boundaries and cover only one aspect of the movement, for example... (2004) Complete Story
In the mid-twentieth century, studio jewelry activity centered around two cities in southern California: Los Angeles and San Diego. There existed distinct differences, in both educational opportunities for metalsmiths and overall style between the two areas. This article will concentrate on Los Angeles and its environs.... (2002) Complete Story
Superb mographs about three contemporary metalsmiths have recently become available: Ah Xian -- a Chinese sculptor who uses time-honored practices from the land of his birth, such as pierced and/or painted and glazed porcelain, carved lacquer, jade inlay and, especially, cloisonne enamel, to create exquisite, life-size human figures; Michael Rowe -- a British modernist whose deconstructed silver and patinated brass tabletop objects have set the standard for avant-garde holloware around the world; and Tone Vigeland, the legendary Norwegian jeweler, who combines tiny, identical units of hammered silver or steel, evocative of Vikin mail and Nordic landscapes, to make both wearable pieces and large-scale sculpture.... (2005) Complete Story
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