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This talk briefly reviews issues of studio safety and discusses ways of recognizing risks in the studio and reducing hazard by substitution of materials or processes. The premise is that any reduction in risk improves the safety conditions of the goldsmith and artist. This approach to safety is practiced officially in European countries but is fairly new to North America. This paper today can only touch on things, be a skim, a snapshot. It is in fact a work in progress. The subject is a gigantic one, it feels rather like climbing a mountain where when you crest what appears to be the top of the rise there is yet another peak in front of one. This paper therefore skips and minimizes many important details. The book we are working on will address things in more depth.... (1998) Complete Story
This procedure should be undertaken with appropriate precautions; goggles, gloves, protective clothing, adequate ventilation. Recently I have been presented with the problems of repairing or changing the color of Indian made polished brass objects, usually to brown or grey tones. In one case the object was a Shiva which was about three feet high and across.... (1990) Complete Story
As part of a large scale patination project in which I patinated a steel roof surface 24 by 48 feet on both sides I performed some 40 experiments to find out how to patinate the steel which was a requirement for structural reasons. In doing so I also experimented with paint.... (1990) Complete Story
A selected bibliography list for the jeweler - Metal working, Casting, Plating, Enamelling ,Gem Cutting, Setting, Engraving and Etching, Other Techniques, Jewelry Repairs and A Selected Bibliography for Materials Science for Goldsmiths - Over 100 listings.... (1997) Complete Story
The annealed metal is placed in a sandwich between soft 'pusher' paper and a hard paper which will serve as a monoprint paper die to emboss the metal sheet. The metal may be pre-polished.... (1990) Complete Story
