Surface Manipulation Articles and Videos
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Add etchings, inlays, and patinas to your metal jewelry with surface manipulation techniques. Learn what tools and materials you’ll need to start.
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3M Bur and Polish Wheels
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3M Radial Bristle Discs Proficiency Advantage
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A Conversation with Michael Rowe
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A Method of Steel Patination
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A New Platinum Sterling Silver
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Aluminum & Aluminum Anodizing
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Aluminum: Welded and Wearable
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American Holloware Changing Criteria
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Architectural Portraits of Vicki Ambery-Smith
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Art and Technics: Finishing
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Basic Filing Techniques
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Basic Milling Technique
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Basic Polishing Technique
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Basic Principles for Wet Tumbling on Gold Jewellery
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Brief Notes on Shakudo
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Buffing and Polishing Materials
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CAD/CAM Wedding Set Finishing and Setting
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Champleve – Photo Etching with PnP Paper
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Comparing Buff Prep Methods
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Copper, Brass and Bronze Advanced Etching
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Cupric Nitrate Patination of Metals
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Damascus and Pattern Welding
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Depletion Gilding Notes
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Design Applications for Laser Engraving
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Easy Etching Step by Step
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Electroforming for Innovative Design
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Electroforming Step-by-Step
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Electroforming Workshop Preparation
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Electroplating Jewellery
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Electroplating Safety Precautions
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Enameling on Electroformed Vessels
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Engraving Methods and Techniques
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Engraving Tools and Preparation
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Etching Options for Champleve
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Fine Matte on Metal Surfaces
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Finishing the Inside of a Platinum Ring
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Fixing Magnetic Finisher with MF610
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Foredom Bench Lathe Kit
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Foredom’s New Finishing Products
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Full eBook: Modern Letter Engraving
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Fusion Patterns
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Goldsmith Jewelry Finishing Trick
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Goldsmithing: Etching on Metal
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Helen Shirk: Patterns of Growth
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Homemade Engravers Ball
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Homemade Flex-Shaft Guard
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How to Do Paper Die Embossing
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How to Make a Plique a Jour Fairy
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Inlay Work
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Inside Ring Polishing
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Introduction to Japanese Alloys
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Iridescent Patina Recipe
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Japanese Special Patinas
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Keum-Boo Technique
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Kliar Vibrant Colors for Metal Jewelry
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Layered Metal on Enamel Coats
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Liver of Sulfur 101
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Making a 950 Palladium Signet Ring
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Martha Glowacki & Fields of Reference
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Mass Finishing of Gold Jewelry
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Master Metalsmith Dorothy Sturm
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Metal Salt Etching, Resists and Resist Removal
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Methods for Applying Patination Solutions
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Modified Split Mandrel for Finishing Round Bezels
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New Efficient Bench Applications
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Niello Metal Mixture
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Pat Pruitt’s Wolf Belt Sander
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Patina Formulas
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Patinating Brass Alloys Using Contact Plating
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Patination by Copper and Copper Alloy Fuming
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Patination for Small Scale Studio Use
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Patination Safety Considerations
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Patination Sources from the Internet
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Perfect Finishing Tools and Techniques
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Perfect Hand Polishing Tips
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Photoetching for the Studio Jeweler
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Photoetching Metal Using Photocopy Transfer
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Platinum Consideration Factors
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Platinum Durability vs Scratching
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Platinum Finishing 2 – Procedures and Supplies
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Platinum Finishing/Polishing Process
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Polishing and Finishing Aids
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Polishing Compounds
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Polishing Hard to Reach Areas
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Polishing Tools and Tricks
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Practical Guide to Mass Finishing Jewelry
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Process of Cleaning Metal Surfaces
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Pumice Finishing and Brass Wire Brushing
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Recent Electroforming Developments
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Resists and Electroplating to Create Patterns
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Reticulation – Ridges and Ripples
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Reticulation Technique and Procedure
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Revolutionary PolishPlus Process
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Small Scale Double Making Procedures
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Sneaky Goldsmith Tricks
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Success in Polishing Platinum
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Susan Hamlet: Culture Of Materials
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Testing Japanese Patina Solutions
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Testing the 3M FX Polishing Wheels
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Testing the Rhodium Plating Technique
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The Ancient Art of Fire Gilding
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The Art of Doublée Making
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The Basic Techniques of Shell Inlay
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The Contemporary American Custom Goldsmithing
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The Costs of Learning Hand Engraving
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The Enamelware of Alan Mudd
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The Foundation of Japanese Patinas
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The Patina Studio
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The Seven Korean Metalsmiths
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The Work of Gary Noffke
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The Work of June Schwarcz
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Toolmaker’s Tools of the Trade
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Transparency Making for Photoetching
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Tumbling Technique Hints
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Using Liver of Sulfur
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Vermeil Jewelries
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Vibratory Finishing Method
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Warrior Power Tool System