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| [Orchid] [rec.crafts.jewelry] Highlights - Issue #1 ** | ||
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From: Orchid Date: Sun Nov 02 06:44:48 1997 |
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========[ Invite a Friend - http://www.ganoksin.com/invite.htm ]======== ______________________________________________________ rec.crafts.jewelry H i g h l i g h t s Jewelry Manufacturing Methods and Techniques November 2, 1997 Issue #1 ______________________________________________________ Highlights Editor: ~ Dr. E Aspler <service AT ganoksin.com> rec.crafts.jewelry newsgroup modarator: ~ Peter Rowe <PWRowe AT ix.netcom.com> ______________________________________________________ Introducing Highlights ^^^^^^^^^^^^^^^^^^^^^^^^^^^^ From: Peter Rowe <PWRowe AT ix.netcom.com> Attached are a number of recent messages sent to the usenet newsgroup, rec.crafts.jewelry. This group is a moderated newsgroup, and as such will be found to be pleasantly free of off topic spamm, unlike most non-moderated groups on the net these days. Advertising is generally limited to non-commercial items such as used tools, for direct posting to the group. On topic commercial ads and web site announcements and the like are combined into a single weekly digest post, keeping advertising visibility acceptable to most readers. You can access rec.crafts.jewelry with any newsreader software if you ISP carries the group in it's news server, as almost all do. New messages or replies can be posted to the group in the same way as with any other newsgroup, though because it's a moderated group, there will be a time delay, usually of about a day, before you see your message in the group (except, as noted, for ads, which will be in the digest post at the end of the week.) Only ascii text posts are accepted. No binary data such as image files or HTML coded messages, please. A monthly FAQ, detailing acceptable posting guidelines, is sent the beginning of each month, or may be found in the dejanews archeives at http://www.dejanews.com . Not-for-publication contact with the moderator can be sent to PWRowe AT ix.netcom.com. If not for publication, please be sure to indicate that fact in your message. thanks. Peter Rowe moderator rec.craft.jewelry .....IN THIS DIGEST..... // -- N-E-W -- // "Where to sell jewelry" ~ slbailey AT bu.edu (Sherry Bailey) ~ joyreside AT aol.com (JoyReside) "Babul (pointy granulation)" ~ sabuk AT aol.com (SabuK) "Bead tips-findings help" ~ joyreside AT aol.com (JoyReside) "Silver hallmarks on internet" ~ janjaap.luijt AT wxs.nl // -- B-U-L-L-E-T-I-N B-O-A-R-D --// "Annealing wire?" ~ slbailey AT bu.edu (Sherry Bailey) // -- H-E-L-P --// ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Orchid D - I - G - E - S - T ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ // -- N-E-W -- // Where to sell jewelry ^^^^^^^^^^^^^^^^^^ From: slbailey AT bu.edu (Sherry Bailey) There are lots of good books out on selling crafts. Wendy Rosen's "Selling your Crafts" (I think) is popular these days, for one. Basically there is no one "best" place to sell, and anyway if there was, why would those who know about it ruin THEIR sales by telling the world about it!? You have to find the places that work FOR YOU. I, for one, refuse to do "mass production" work -- I have nothing against those who do, I just can't stand repeating designs like that. So the wholesale options that production craftsmen use are not appropriate for me. I won't ever sell to store chains, etc. that order by the item number. Production craftsmen can make a living doing that exact thing, though, if they have the psychology to make things in multiples. (Good quality things, of course!) You have to figure out how much time and money you want to put into marketing, and how much time and effort into your work, and what you need to do to make a profit. (WAY too many hobby crafters seem to think making back the materials costs is good enough -- these guys are the ones who make it harder for people who know you also have to get paid a reasonable wage for your time and all the overhead costs, as well.) This is going to sound like I'm sneering, and I'm NOT -- but bead jewelry is a tricky area. A lot of it all looks alike, no matter who makes it, and there isn't a huge market for that stuff anywhere, especially since 3rd world countries assemble (for example) bead earrings and sell them wholesale to discount stores (and others -- flea marketers, for example) for pennies... why would anybody pay ten dollars a pair for your bead earrings when they can get a pair for a dollar in the mall? So with beads you really have to struggle to make your work differentiated. Fabricate settings, make your own beads, sell vintage beads that simply LOOK better, whatever it takes -- but if your stuff doesn't have special appeal, you are in direct competition with people who work for 50 cents a day with beads bought by the millions at rock bottom prices. No way you can succeed that way. Good luck Sherry From: joyreside AT aol.com (JoyReside) I did a country craft show in the beginning of my business and sold 1 pair of $13.00 earrings. It was the fastest lesson I ever learned. Call or write your State Arts Council,(Illinois has a great one!) many publish listing of fine art/crafts shows to jury into. Next spend as much as you can afford to get HIGH QUALITY slides of your pieces made. They need to be a good representation of your work. It is from these slides you will be juried into shows. (Slides... I can write a book about that subject). As far as competitive, you will have jewelry at ALL fine craft fairs. What makes you a high seller is not necessarily the price, but your individuallity, creativity and quality. Joy Babul (pointy granulation) ^^^^^^^^^^^^^^^^^^^^^^ From: sabuk AT aol.com (SabuK) I think I asked if anyone knew about this technique a while ago in this newsgroup, and I just found out about it myself so I thought I would answer here. I had seen a pair of antique (marked English) earrings that where three spheres covered in tiny tiny pointed conical shapes so that touching one was like picking up a miniature sycamore ball. The earrings were very gold colored. People I asked about it usually said it was granulation, but it did not look like the granulation I had seen because the "granules" were pointed. In turns out, as documented in Oppi Untracht's Traditional Jewelry of India (Abrams 1997) that this work was done in India to look like an acacia flower. It is usually done on spherical or semicircular domes to imitate the flower's form, and the "granules" are made by pressing high carat metal into some kind of mold to make the pointy granules. They are connected to the metal the same way as granulation. Then, the whole thing is washed in acid to give it a matte surface. The technique was especially used to decorate traditional Indian earrings of one, two or three balls. The example I saw was truly spectacular. Unfortunately, I couldn't buy them, but at least I know how they were made. I hope I didn't condense the explanation too much. If anyone wants the verbatim text, I'll e-mail it. Judy Geib Bead tips-findings help ^^^^^^^^^^^^^^^^^^^ From: joyreside AT aol.com (JoyReside) I bought my first ounce of PMC in Sept and had some fun. My best products included pressing some fresh leaves into the clay, baking then antique and polish. Because of the porosity, you must burnish the area you wish to solder findings or the solder will be literally sucked into your piece. (this was very flustrating in the beginning)... Anyway, public response was positive. Of the 6 pieces produced sold 3 at first show. I also did a thin basketweave pin but found it to be to thin and ends broke easily. My solution was to run it through the rolling mill to flatten the design and solder to a piece of 24 gauge. I am glad I experimented but I am not sure I will reorder. Anyone else?????? Joy Silver hallmarks on internet ^^^^^^^^^^^^^^^^^^^^^^^ From: janjaap.luijt AT wxs.nl Want to find silver hallmarks on the Internet try: http://home.wxs.nl/~luijt005/hallm.html Good luck, Janjaap Luijt // -- B-U-L-L-E-T-I-N B-O-A-R-D --// Annealing wire? ^^^^^^^^^^^^^^ From: slbailey AT bu.edu (Sherry Bailey) I am wondering what you folks would recommend for someone who wants to do some one-step-above-basic wire work with annealed sterling, copper, and brass wire. I don't have a gas range (which I know can be used for annealing) and don't really want to invest the $100-150 in a little kiln for this purpose. I have seen small gas (propane, I think) "hot plates" which might work, although I have no idea how fast you'd use up the little cartridges. Are there any other options that will get the metal hot enough? (Eventually I hope to gear up to a more serious level, and refresh the skills I learned 20 years ago in jewelry classes in college, but at the moment I will be happy to soften some wire so I can hammer it!) Sherry ----- End of rec.crafts.jewelry Highlights Digest --------- // -- H-E-L-P -- // ____________________________________________________________________ T h e O r c h i d L i s t Open Electronic Forum for Jewelry Manufacturing Methods and Procedures ____________________________________________________________________ Orchid FAQ: ~ http://www.ganoksin.com/orchid/faq.htm Orchid Archives: ~ http://www.ganoksin.com/orchid/archive Orchid Galleries: ~ http://www.ganoksin.com/orchid/gallery.htm Invite a Friend: ~ http://www.ganoksin.com/invite.htm ____________________________________________________________________ Tips From The Jeweler's Bench - Article Archive ~ http://www.ganoksin.com/borisat/tip_sear.htm The Jeweler's Selected Bibliography List ~ http://www.ganoksin.com/jewelry-books Buy Orchid Jewelry: ~ http://www.ganoksin.com/shop ____________________________________________________________________ -Unsubscribe: -Email: orchid-request AT ganoksin.com Body=unsubscribe subject=blank ____________________________________________________________________ |
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