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Re: [Orchid] Working with labradorite
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Peter Monday, March 03, 2008
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    Thank you for the helpful feedback, Kenton; also to others who
    responded as I made notes from all of the postings. 

    I have found samples from two outcroppings now, about 300 feet apart
    in elevation on the mountain with lots of overburden in between.
    Certainly these samples are interesting from a geology perspective
    but I have little idea if they also have lapidary/jewelry interest so
    I'll expand some more. 

    I am not sure yet if the outcroppings are closer to original
    sedimentary or igneous deposits. The geological maps say the overall
    formation is Jurassic (the end of the dinosaur age) but they describe
    both sedimentary and volcanic rocks in the outcroppings so it is more
    complex than a single time of formation. Volcanic andesite carries
    much feldspar. Repeated periods of volcanic activity could also
    transform the original lavas or the sediments derived from them. 

    The host rock is coal black but it is highly fractured. Some
    geologists think this region has seen a major earthquake about every
    500 years. The fracturing seems to leave some rock faces exposed to
    weathering and these turn a dark, rusty brown. I have seen a number 
    Labradorite samples on web sites and those with the lighter
    background rock seem to yield more obvious iridescence so the darker
    background probably detracts from the aesthetics. It is only on the
    weathered faces that the iridescence appears and it is lost when you
    make a rough cut with a geologist's hammer into the black host rock.
    I don't have the equipment to do slab cuts. 

    So far my hunch/theory is that the weathered feldpar is transformed
    by later periods of nearby volcanic activity which glaze these
    surfaces and produce all the colours of the rainbow but (as sampled
    so far) only on the weathered surfaces so whatever the chemical
    transformation on those surfaces it seems necessary for the
    colouring. Red, orange, yellow, green, blue, indigo and violet are
    all apparent so far. Some samples display a few colours and others
    display a different part of the spectrum but all are in the deposit.
    The greens and blues are especially impressive because I have never
    seen such vivid colours before in my prospecting trips. They look
    like marine enamel paint has been dobbed on the rock. That is, they
    are deep or saturated colours. Green is as common as the other
    colours except blue which seems to be the rarest. The uni-colour
    "spotches" are typically 1-2 mm in diameter. My hunch/theory is that
    the black host rock is andesite-like with a high feldpar content. The
    original lava was eroded and became a high feldspar content
    sedimentary rock. Subsequent volcanism then glazed the weathered
    surfaces which produced the rainbow colours. One of our rockhound
    group looked at the rainbow surface under a loop of about 20x and 
    it looked "bubbled". It does. The corners are rounded which fits in
    with the notion of melting and glazing. 

    Under a loop of about 20x, the colour is quite stunning. I
    thoroughly enjoy observing these surfaces in good sunlight and under
    the loop but as I said above, I have no idea how jewellers might work
    the stones, if at all. The dark, rusty-brown background detracts from
    the rainbow effects and the "splotches" are small. But who knows what
    lies deeper inside the deposit as there is an abundance of this
    material near the surface. 

    Iridescence seems to have to do with thin films or layers as we read
    at and in this case
    they seem to only coat the weathered surfaces along natural fault
    lines. As we read at the
    word comes from Gk "iris" = rainbow. And the complete rainbow is
    found on these rock faces. 

    I have a nice sample here which shows all the colours of the rainbow
    across a surface of about 15 mm x 5 mm. The entire piece of host rock
    is about 100 grams and we would be happy to mail it to someone who is
    experienced in working with labradorite, on a no cost/no obligation
    basis. You can look at it and throw it out or send it on to someone
    else if you need a second opinion etc. Let me know off-list. 


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