The Gem and Jewelry World's foremost Resource on The Internet.
Re: [Orchid] Primitive setting methods?  
  [Thread Prev] [Message Prev]      [Date Index]   [Thread Index]      [Message Next] [Thread Next]
From: John Donivan
Date: Tue Nov 06 20:30:22 2007
 
     
========[ Invite a Friend - http://www.ganoksin.com/invite.htm  ]========

>     detailed, applicable information on how clan / tribal cultures may
>     have mounted stones to metal, especially irregular stones. Does
>     anyone know where I might find such info? 

    Interesting question, TC. There's no exact answer that I know of,
    beyond, "They did what they wanted and needed to.", which isn't
    helpful. I think you are mixing your metaphors, for one thing.
    Clan/tribal cultures didn't necessarily set any stones in metal -
    more of a wrapped with rawhide thing a lot. And then when people did
    set stones into metal, they shaped the stones first (or used
    regularly shaped stones, like crystals) to make them settable, more
    or less. I think in your case you should forget about history and
    just work primitively. Setting this way is either prong or bezel -
    small metal or big metal. The problem you'll have is dealing with a
    seat because the stones are irregular on the back, as you say. Either
    carve a seat for each or just pick flat-backed stones and live with
    it. Then put claws, which I say instead of "prong" because it's more
    primitive, and bend them over. If you use more of a bezel then just
    make it rough, and if you cut it into segments it will be much easier
    to push over - solder it down, and then slit it 4,6,10,12 times,
    whatever, so you're pushing down flaps instead of a whole bezel. The
    primitive look is more of a touch and feeling than technique - make
    it "sloppy" to a degree so it looks like you want. The earliest real
    setting that I know of was a flush set/bezel thing - metal pushed
    over a stone, but again they were using regular shapes, not rocks.
    The Mayans, Incas and Egyptians did that sort of work, and often it
    wasn't even set, it was glued in as inlay. The problem is, if you
    think about it, that there's really no way to really set a "rock"
    without some sort of wire wrapping - it's irregular in every
    diimension. But if you just stuff them in raw bezels or something
    they should look something like what you say. 

http://www.donivanandmaggiora.com
____________________________________________________________________
T h e   O r c h i d   L i s t
Open Electronic Forum for Jewelry Manufacturing Methods and Procedures
____________________________________________________________________
Orchid FAQ:
~ http://www.ganoksin.com/orchid/faq.htm
Orchid Archives:
~ http://www.ganoksin.com/orchid/archive
Orchid Galleries:
~ http://www.ganoksin.com/orchid/gallery.htm
Invite a Friend:
~ http://www.ganoksin.com/invite.htm
____________________________________________________________________
Tips From The Jeweler's Bench - Article Archive
~ http://www.ganoksin.com/borisat/tip_sear.htm
The Jeweler's Selected Bibliography List
~ http://www.ganoksin.com/jewelry-books
Buy Orchid Jewelry:
~ http://www.ganoksin.com/shop
____________________________________________________________________
-Unsubscribe:
-Email: orchid-request AT ganoksin.com Body=unsubscribe subject=blank
____________________________________________________________________

  Click to Visit  
     
  Navigate:  
   
  Orchid Resources:  
   Join & Post
 Invite a friend to join Orchid
 F.A.Q
 Galleries
 BenchExchange
 Orchid Message Archives [Subject Index] [Date Index]

Ganoksin now offers a number of ways for you to stay on top of the latest from Orchid!

  1. My Yahoo - Do you have a My Yahoo page? If so, you can easily read the latest Orchid posts on your personalized page by adding this feed:Add Orchid to My Yahoo!
  2. Add Orchid to myGoogle Add to my Google
  3. Read Orchid with NewsGator and Microsoft Outlook Add Orchid to Your  NewsGator
Support Orchid! - If you believe in what we're doing, you can help!

 
     
     

© Copyright 1996 - 2008, The Ganoksin Project