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| Re: [Orchid] CAD/CAM grown model woes | ||
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From: Thomas C Date: Sun Oct 07 05:48:23 2007 |
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========[ Invite a Friend - http://www.ganoksin.com/invite.htm ]======== Richard This specific problem you describe sounds like an incomplete burnout. I would guess that the caster may have consulted the grower but did not follow instructions in detail, and if the instructions are not followed in detail, the casting will fail. The different resins have different castabilities, And several are very castable"Invision HR, Perfactory", We have found no ash content in Invision HR resin using a full burnout process. Some are castable but with a bit of work around(Viper). We cast primarily Invision HR resin. Of note is that we often cast hand carved waxes right along with the resin with equal success. There are very specific steps to take in casting the materials. A caster must want to change some steps to have a successful casting of resins. Most failures occur because the caster will not adapt the process to the material, they insist on using methods that work with wax, but just wont work with the newer materials. Skipping any of the steps will definitely result in failure. It took us a bit of trial and error to dial in casting of resins. From experience, the biggest problem is the investment and then the burnout. I will briefly cover some of the primary details of the process. Sprueing: Sprueing is the most overlooked part of casting in many cases, A smooth transition from the sprue to the piece to be cast is essential. The piece needs to sprued at its heaviest section, general sprueing techniques apply here. **Viper models are castable but need a extra blowout sprue to assure full cleanout of the cavity, there is the possibility of ash in viper models. Prior to casting, the cavities are blown out with compressed air to make sure all Viper residue is gone** Investing : The choice of investment is one of the most critical steps in the process. We have tried many investments and many processes. These steps work consistently in our production. We use "Doc's Plaster" from PM West for all resin casting, it works for gold silver and platinum we follow the directions as specified by the manufacturer. We use the rubber flasks as supplied by PM West for investing. For smaller castings we use a yoghurt cup that we cut the bottom out of. We do not use a metal flask, all castings are done "flaskless" Its OK to use a debubblizer solution. Yes, the investment costs more than regular investment, but getting the casting right every time is worth it. Burnout: We burn out with an electric oven with a programmer. ( Gas ovens naturally have enough oxygen to get a good burnout) We have modified the oven by drilling four holes into the kiln at floor level, equally spaced. We drilled about 1/4 inch holes. To increase the ability of the oven to truly burn out the resin, the oven needs more oxygen. To create the proper burnout, We use an old aquarium bubbler as an air supply. We attached about a foot of quartz tubing to the plastic hose and insert the quartz tubing into one of the holes we drilled. This is probably the most critical step in burnout, electric ovens do not have enough oxygen circulation for a good burnout. Heat alone will not fully burn the resin. Our burnout schedule is ramp to 300F hold 1 hour, ramp to 600F hold one hour, ramp to 1500F hold for three hours, ramp down one hour to 1100F or your desired casting temperature. You can actually do a three hour or so burnout if your in a great rush, but in general we recommend the above. The lower temperatures are very important and should not be rushed Casting we cast with a centrifugal casting machine or for platinum the traditional upright machine. We cast many ounces of Gold and Platinum every week for large accounts and have a very high success rate, and failure is usually based on traditional casting problems such as sprueing, too cold metal, Flask temperature, etc not the resin. The models can be molded, but unless you need a mold there is really no need to make one. The casting of resins is a more scientific approach, but easily achievable. This has been very brief, but gets the process pointed in the right direction. Again the right investment and the proper high heat burnout with air itroduced into the kiln are the primary factors in casting resins. Contact us with any questions. Thomas Cavagnaro, G.G. Cadsmithing, LLC, A Service Bureau CAD-CAM, Casting in Gold and Platinum for the Trade 480 632 1595 Fax 480 632 1598 cadsmithing.com ____________________________________________________________________ T h e O r c h i d L i s t Open Electronic Forum for Jewelry Manufacturing Methods and Procedures ____________________________________________________________________ Orchid FAQ: ~ http://www.ganoksin.com/orchid/faq.htm Orchid Archives: ~ http://www.ganoksin.com/orchid/archive Orchid Galleries: ~ http://www.ganoksin.com/orchid/gallery.htm Invite a Friend: ~ http://www.ganoksin.com/invite.htm ____________________________________________________________________ Tips From The Jeweler's Bench - Article Archive ~ http://www.ganoksin.com/borisat/tip_sear.htm The Jeweler's Selected Bibliography List ~ http://www.ganoksin.com/jewelry-books Buy Orchid Jewelry: ~ http://www.ganoksin.com/shop ____________________________________________________________________ -Unsubscribe: -Email: orchid-request AT ganoksin.com Body=unsubscribe subject=blank ____________________________________________________________________ |
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