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| Re: [Orchid] BFA/MFA Vs technical training | ||
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From: Dennis Loss Date: Wed Nov 08 05:00:42 2006 |
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========[ Invite a Friend - http://www.ganoksin.com/invite.htm ]======== Hello, I have both a BFA and an MFA and have been in the jewelry business for about 20 years. I really value my college education. BUT I am not sure how useful it has been in direct use for my profession. I think that my education has given me a certain direction and viewpoint for life which is often at odds with the world in which we now live. I know that the art history classes and the design classes [that I took and sometime skipped for more studio time] have been a great source of knowledge for me. I made jewelry independently of the business world for about 10 years before I decided to get into the retail, and now R and D, part of jewelry. I loved being self-employed, we lived the mountains, I had a great studio, but it was damn hard work. I had a really good seasonal job, that paid all of our living expenses for the year in about 8 months work. It was a great way to live for a while. I am telling you all of this because I guess that what I am wanting to say is that I wouldn't waste the money on college jewelry training. I would most definitely still take art history classes and basic drawing and design classes. you can get these at Junior colleges and even online. But I would shy away from studio art classes, I would take technical training classes somewhere. Almost all students end up creating jewelry that looks like everyone else's of their specific generation or even their teachers. When I look at jewelry now that is in the AM Craft or other such publications I see my old jewelry over and over. NOT that anyone is copying any thing I did or that I copied anyone either. [I didn't even look at magazines up on the mountain then], it is just the aesthetic we learned in school 20+ years ago. Either that or there is a really strong argument for Jung's theory on the world's collective subconscious. Perhaps it is both. Now look in the trade magazines, JCK, MJSA, etc. you see a totally different type of jewelry that is based on market driven forces. Pave, pave and more pave, white gold white gold and more, it is the same old same old. Yes there are bits and pieces that are different in both types of magazine but for the most part there isn't a big difference anywhere. If you want to be an 'artist' who only makes your own stuff, then take lots of technical training classes, don't look in the magazines, find an independent source of income and work on finding your own muse for about 15 years. Then find some honest gallery owners who get you and go for it. I know this latter part sounds sarcastic but it is not meant to be. The US is over run with jewelry artist who are trying to make a living. Many are making a living but it isn't easy. Our economy is set up against you. Self-employment taxes, retailers who really make most of the profit off your work, and so many other jewelers who must work for dirt wages just to get by, make it really difficult to go it alone. You have seen the threads about looking for work in the field as a bench jeweler, and how region to region is so different. Just having the same skills as everyone else at the bench won't get you too far. I live in a tourist town and it is full of galleries, artist are knee deep here. The ones who appear successful have either been at it for 20 years and worked there butts off, [Hats off to you folks!]or they made a bundle in real estate, inherited money or have some other means of income. they can afford to spend their time making art. This is NOT a criticism it is just the reality here as I see it. Been there done that. If you want to have a career in the jewelry industry you need to have a strong grasp of the techniques used today, computer Cad, CNC milling, drafting, stone setting etc. These skills along with an understanding of design and color should give you a good base from where you can get a good job that can be exciting and rewarding. I think that the jewelry industry needs new blood and imagination, this is where someone could make a real difference in what the market offers. So, my advice is join the industry, it is exciting and can be creative and it will expand your horizons. I know that I will probably get a lot of dissent on my comments, I hope so. It will be good to have some discussion on the industry and art view points. I really sort of fall between the two worlds with my present job. I loved it when I was just making my art, but I got tired of the gallery routine and I do not have the personality to do craft shows. So what I have now is great. I am learning about the industry all of the time and it is really challenging and engaging.. I know that I am very lucky. Good luck, Dennis ____________________________________________________________________ T h e O r c h i d L i s t Open Electronic Forum for Jewelry Manufacturing Methods and Procedures ____________________________________________________________________ Orchid FAQ: ~ http://www.ganoksin.com/orchid/faq.htm Orchid Archives: ~ http://www.ganoksin.com/orchid/archive Orchid Galleries: ~ http://www.ganoksin.com/orchid/gallery.htm Invite a Friend: ~ http://www.ganoksin.com/invite.htm ____________________________________________________________________ Tips From The Jeweler's Bench - Article Archive ~ http://www.ganoksin.com/borisat/tip_sear.htm The Jeweler's Selected Bibliography List ~ http://www.ganoksin.com/jewelry-books Buy Orchid Jewelry: ~ http://www.ganoksin.com/shop ____________________________________________________________________ -Unsubscribe: -Email: orchid-request AT ganoksin.com Body=unsubscribe subject=blank ____________________________________________________________________ |
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