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| Re: [Orchid] BlueNile Vs. "wholesale" | ||
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From: David L. Huffman Date: Thu Apr 07 21:41:56 2005 |
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========[ Invite a Friend - http://www.ganoksin.com/invite.htm ]======== Hi All; Well, I did manage to beat Blue Nile out on the 1.25 carat diamond sale I was posting about. Here's the story, as it might be informative for some on how to compete with situations like this. First, the customer got a book on diamond buying and learned just enough about diamonds to be dangerous. My usual sources couldn't come up with anything for me along the lines of what he wanted, which was VS1, E color. In 1.25-1.3 carat range and above, this kind of clarity and color gets picked off pretty early, so there's not a lot on the market and what's there isn't going cheap. I found I could match BN's price, but after collecting 8.25% sales tax, I'd be turning a $10,000 stone for around $200 profit. I guess it's money, right? But it's insulting. Meanwhile, he gets a GIA certed stone from Blue Nile, sends it to me for review, since I'm still going to make the platinum mounting, which will pay me for my time. BN sells him a VS1, F color, Ideal Cut, for $10,255. When I see it, in my opinion it's a VS2, G color. And in that carat size, the ideal cut looks a little lumpy. This cert is very generous to Blue Nile's diamond, and I'm beginning to lose respect for GIA. Fortunately, Nile has a returen policy, so there's a chance I can do better. I go deep into the "favor bank" with my connections and come up with a 1.27 carat, VS2, E color, but it's a very stringent VS2-E, and if that BN stone is a VS1, then this one should be, since it's cleaner, and at E color, it's noticeably whiter even to the untrained eye. Problem is, the pedigree isn't really as good. It's got a 60% table and medium blue florescence. Problem? Not in reality. 60% table is better looking, in my opinion, in a larger stone, and the fluorescence, believe it or not, is so slight it actually flatters the stone somewhat even in strong daylight. Under a black light, I'm having to point out to my guys which one's fluorescing. But here's the plain fact of it all. The stone I have is cleaner, prettier, whiter, all around better looking, but going by the cert alone, it's not as good. But I can sell it for $1,000 less than Blue Nile and still put $1,000 in my pocket, and more money later for the mounting. But I can only accomplish this because he's now gone back home to Indiana and I don't have to collect that taxes. But now I'm selling a diamond long distance. I have carefully built this customer's trust in me, and he should trust me too, because now I'm working hard for him. This guy has an MBA from Perdue, so he's the epitome of the savvy shopper. He's caught between some idea of an "investment" value for the stone while needing to make sure his fianc=E9e has something really beautiful (I know, some of you don't think diamonds are beautiful). I have to show him that, while I respect his research and desire his input in this buying experience, I want to bring him my experience with the overall aesthetics of diamonds. He's going to really wow his fianc=E9e with this diamond, I'm happy, m= y supplier is happy. And I know I've done right by my customer. Luckily, he's in another state, so there's no sales tax, or I'd only make half as much and he'd only get a slightly better deal. Moral of the story; there are certs and there are certs, and while they're becoming more important to the online shopper they should be more irrelevant to those of us who sell diamonds. Do you folks see why GIA is now all for it's "cut grade" whereas a while back they were being much more honest about the fact that it's more a marketing tool? But then, the other "criteria" are just marketing tools too, aren't they? One doesn't see the absurdity of this system until one looks at other colored stones and considers the relevance of such ideas. I don't really need a cert to sell a stone, but I think only an idiot would buy anything significant online without one, and even then, they better know what they're looking at, cut grade or otherwise. I remember scoffing at some guy who was running workshops on "Romancing the Stone" but that's about what it is. Still, I think most retailers are going to lose on this. Before I succumb to another rant, I've just got one thing to say . . . If you make your "art" a "commodity" whether it's diamond cutting or PMC creations, you are going to get run over eventually. That's the nature of capitalism. If the product is uniform, then the guy who's able to concentrate capital comes out the winner because he can buy more, buy cheaper, whether it's materials or labor, and he can sell for less by selling more. Meanwhile, I think we all need to ponder this concept of "trust". You don't want to play on the customer's distrust and fears, but you want to use that energy to keep them interested in becoming a truly educated consumer and to get them involved in the buying experience. Of course, it won't work if integrity isn't in the formula. David L. Huffman ____________________________________________________________________ T h e O r c h i d L i s t Open Electronic Forum for Jewelry Manufacturing Methods and Procedures ____________________________________________________________________ Orchid FAQ: ~ http://www.ganoksin.com/orchid/faq.htm Orchid Archives: ~ http://www.ganoksin.com/orchid/archive Orchid Galleries: ~ http://www.ganoksin.com/orchid/gallery.htm Invite a Friend: ~ http://www.ganoksin.com/invite.htm ____________________________________________________________________ Tips From The Jeweler's Bench - Article Archive ~ http://www.ganoksin.com/borisat/tip_sear.htm The Jeweler's Selected Bibliography List ~ http://www.ganoksin.com/jewelry-books Buy Orchid Jewelry: ~ http://www.ganoksin.com/shop ____________________________________________________________________ -Unsubscribe: -Email: orchid-request AT ganoksin.com Body=unsubscribe subject=blank ____________________________________________________________________ |
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