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| Re: [Orchid] Drawing 22k wire from coin | ||
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From: Randy Smith (PSS TEXAS) Date: Mon Jan 10 20:48:07 2005 |
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========[ Invite a Friend - http://www.ganoksin.com/invite.htm ]======== Hi John, I do this all the time. Its one of the requirements in Jean Starks chain making class. 1) I start off with a Four-Nines (99.99% pure) gold coin. The one I use is the Canadian Maple Leaf, after 1984 ( I think that is the year.) 2) Before 1984, they were Three-Nines and not pure enough for wire making. 3) I get the coins at Dallas Gold and Silver Exchange, and usually pay 5% over spot for them, cash only. You can get them at most coin dealers or off the internet, just shop for someone who will give you a low mark-up. 4) I take a NEW charcoal block, and cut a square depression about 1.5 inches x 1.5 inches in the top. 5) I put the coin in the depression and heat it with my torch until it melts completely. I stir it with bamboo chopsticks (which I collect every time I eat chinese..<grin>) If the gold is pure, when it cools, it will make a hole in the nugget. Don't know how to describe the hole, but at the last moment before cooling to solid, bing, a depression occurs. The surface will be very shiny, like it was just polished. 6) After cooling , I melt it again and add my copper and silver to get to 22kt. You can find the exact porportions in the back of Jeans book on chain making. 7) On the other side of the charcoal block, I dig a trench about 1/4 inch wide by 5 inches long, from corner to corner. 8) I heat the gold ingot and push it into the trench, giving me a rod just about right to go in my mill. At this point, you don't have to use all of the gold. If you are not going to use all the gold, heat the nugget in the big depression till it melts a second time, then pour it into water. 9) Now using the little nuggets from the water, put some in the trench, heat till they melt, and form the rod in the trench till it is about the size to go into your biggest rolling mill groove. 10) I roll it out very slowly , annealing after every 2nd pass through the rolling mill. More annealing is better than less. 11) I stop about 3 sizes larger than the wire size I want. 12) I taper the end of the square wire and start pulling through the drawplate. On the back side of the drawplate, I keep a black paperclip with a wad of oil soaked cotton iin it, clipped to the wire to continuously oil the wire before it goes through the drawplate. 13) I anneal about every 2nd pass through the drawplate. 14) I reguarly draw the wire to 30 ga or less. 15) After the wire gets past 20 ga or thereabouts, I anneal by putting it in a coil and leaving it in tht kiln for 10 minutes on a piece of mica so the gold dosent touch the kiln face. 16) With the fabrication cost of gold about 30% of the price of gold, I save about $150 for each ounce of gold I draw. If you have any more questions , don't hesitate to ask. Love and God Bless randy www.rocksmyth.com 214-280-7775 ____________________________________________________________________ T h e O r c h i d L i s t Open Electronic Forum for Jewelry Manufacturing Methods and Procedures ____________________________________________________________________ Orchid FAQ: ~ http://www.ganoksin.com/orchid/faq.htm Orchid Archives: ~ http://www.ganoksin.com/orchid/archive Orchid Galleries: ~ http://www.ganoksin.com/orchid/gallery.htm Invite a Friend: ~ http://www.ganoksin.com/invite.htm ____________________________________________________________________ Tips From The Jeweler's Bench - Article Archive ~ http://www.ganoksin.com/borisat/tip_sear.htm The Jeweler's Selected Bibliography List ~ http://www.ganoksin.com/jewelry-books Buy Orchid Jewelry: ~ http://www.ganoksin.com/shop ____________________________________________________________________ -Unsubscribe: -Email: orchid-request AT ganoksin.com Body=unsubscribe subject=blank ____________________________________________________________________ |
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