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| Re: [Orchid] Metalsmith's Exhibition in Print | ||
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From: Marya DeBlasi Date: Wed Oct 06 20:42:05 2004 |
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========[ Invite a Friend - http://www.ganoksin.com/invite.htm ]======== I have been following the conversation about Metalsmith=92s EiP closely and would finally like to be permitted to say a word or two. When we speak of "metal-smithing" as a broad subject, there are just about only 2 ways we can approach the subject. Either practically or aesthetically. On the whole, it seems that there is only so much one can say about the practical matters of metal work. What is the tool or material, how does one use the material? Quite a lot of our discussion, quite a lot of important discussion, takes place along these lines, but it is not exactly discourse. Once one knows the several ways to anneal metal, and how they apply to each circumstance, there is not much left to say. Aesthetics is a far richer vein to mine, one can talk for hours about beauty, and truth, and worth. That is what our lively conversation has ultimately been all about. But as conversations about metal-smithing fell away to two categories, the objects separate themselves loosely along similar lines; pieces that are largely a result of process and pieces that are aesthetic explorations. In this case the categories quite overlap, which may be what makes us so itchy. But in the extreme a ladies ring of diamonds and pearls has very little, except process, in common with a ring that concerns itself with the "concept of ringness". Still, when we stop to discuss the subject, there is far less to say about the most beautiful diamond pave creation than there is to say about the more esoteric creation. And the artists who are making the esoteric jewelry are at an advantage because they are continually having that conversation internally. A clear problem with some of the artists working in the field is true of all other artists, they do not have the technical skills to make art in metal. A further problem, perhaps my own prejudice, is that they have been raised in a television world where non-interactive communication has made them intellectually lazy. This does not mean that academic work is bad per se, just that bad work, work about which there is really very little to say, is being done. There is a place, as I mentioned above where the two extremes of metal-smithing meet, the place where many of us are working, privately if not publicly. The place Andy Cooperman resides. This is a very important frontier. This is what makes American jewelry interesting and innovative. Who among us was it that said that she did not find that sort of work in Europe, there were not the kinds of shows, or the aesthetic that allows that kind of work to flourish. Jewelry was beautiful and conventional. It is fine to discuss the merits of the EiP, but it is pointless to yell back and forth at each other if we don=92t why we are yelling. If we are insisting on a separation between the two concepts of metal art, we are doing ourselves an enormous disservice. If we are yelling across the divide so that more artists hear about technique (wearability is their business) and more technicians think about innovative design, then we will have accomplished something. Sincerely, Marya DeBlasi Columbus ____________________________________________________________________ T h e O r c h i d L i s t Open Electronic Forum for Jewelry Manufacturing Methods and Procedures ____________________________________________________________________ Orchid FAQ: ~ http://www.ganoksin.com/orchid/faq.htm Orchid Archives: ~ http://www.ganoksin.com/orchid/archive Orchid Galleries: ~ http://www.ganoksin.com/orchid/gallery.htm Invite a Friend: ~ http://www.ganoksin.com/invite.htm ____________________________________________________________________ Tips From The Jeweler's Bench - Article Archive ~ http://www.ganoksin.com/borisat/tip_sear.htm The Jeweler's Selected Bibliography List ~ http://www.ganoksin.com/jewelry-books Buy Orchid Jewelry: ~ http://www.ganoksin.com/shop ____________________________________________________________________ -Unsubscribe: -Email: orchid-request AT ganoksin.com Body=unsubscribe subject=blank ____________________________________________________________________ |
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