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| Re: [Orchid] Metalsmith's Exhibition in Print | ||
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From: Douglas Zaruba Date: Fri Sep 24 22:25:03 2004 |
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========[ Invite a Friend - http://www.ganoksin.com/invite.htm ]======== Dana, I have been a member of SNAG (off and on) almost since its inception...I still have my copies of the Goldsmith's Journal. I have to agree with those who feel that SNAG often represents the viewpoints of "academic" metalsmiths. This is not a new development, but has been part of the organization since the beginning. It may be that those in academia have more time to be on the planning committees, or that they have the luxury of being able to pursue conceptual ideals without relying on support from the "marketplace." Having worked with some of these committees in the past, I have witnessed an attitude of arrogance and destain for those who "prostituted themselves to fashion" ( a comment made to me by one such member). Many members, myself included, have left SNAG because we felt that it did not address the way we feel about the work we create. Thankfully, I have seen a gradual change in SNAG towards a more realistic and open-minded approach to the field of metalsmithing. I am sure that it is just as difficult for some "academics" to embrace the ideas of the "vocationals" as it is for a working jeweler to accept conceptual jewelry. As one who makes a living producing work for the jewelry buying public, I often find work in the EiP that leaves me scratching my head. But more importantly, I also find work that inspires me and challenges me to bring more innovative ideas to my own work. If the articles in Metalsmith, and the EiP, get us to challenge our own ideas, then SNAG is fulfilling its mission. Perhaps a future EiP could focus on work incorporating gemstones. That would give "the rest of us" something to aspire to. I would also ask those who feel that SNAG is too focused on the "Avant Garde" just how much conceptual or experimental work they find in Modern Jeweler or AJM. As one of the early "designers" who exhibited at the JA show, I was often copied butI never truly felt a part of the jewelry industry. Although Cindy Edelstein has been tireless in promoting an exhibition forum for true artists like Michael Zobel, Tom Munsteiner, Alex Sepkus, and others, the industry (for the most part) just doesn't get it. So THANK YOU, Dana and SNAG. I had let my membership lapse, but I realize that it is important for me to remain a part of this organization. How can I join? Doug Douglas Zaruba 35 N. Market St. Frederick, MD 21701 301 695-1107 dreamgate AT earthlink.net ____________________________________________________________________ T h e O r c h i d L i s t Open Electronic Forum for Jewelry Manufacturing Methods and Procedures ____________________________________________________________________ Orchid FAQ: ~ http://www.ganoksin.com/orchid/faq.htm Orchid Archives: ~ http://www.ganoksin.com/orchid/archive Orchid Galleries: ~ http://www.ganoksin.com/orchid/gallery.htm Invite a Friend: ~ http://www.ganoksin.com/invite.htm ____________________________________________________________________ Tips From The Jeweler's Bench - Article Archive ~ http://www.ganoksin.com/borisat/tip_sear.htm The Jeweler's Selected Bibliography List ~ http://www.ganoksin.com/jewelry-books Buy Orchid Jewelry: ~ http://www.ganoksin.com/shop ____________________________________________________________________ -Unsubscribe: -Email: orchid-request AT ganoksin.com Body=unsubscribe subject=blank ____________________________________________________________________ |
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