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| Re: [Orchid] Making casting grain | ||
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From: Peter W . Rowe Date: Mon Feb 16 00:03:51 2004 |
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========[ Invite a Friend - http://www.ganoksin.com/invite.htm ]======== If you don't need the nice uniform size and shape of commercially made ones, you can do this just fine without the perforated crucible. Just pour it slowly to get a thin stream, and it does the same thing. A couple other comments may also help. commercially, in addition to the perforated crucible breaking the pour into thin streams (which then break up as it drops to fairly uniform sized droplets), it's common to have it set up with a reducing flame under that crucible, so the air space between the perforated crucible (or just the one you're pouring from, if you do it without that perforated crucible) lacks oxygen. That gives you less oxidation on the grain. Or, you can simply pickle the grain after you've poured it. And if you want it to look nice and bright, toss it in a tumbler with a bit of tumbling soap. No steel shot or other media needed. Just the metal shot, tumbling against itself will be enough to brighten it up attractively. Not needed, but looks better, for what that's worth. More useful tips are to use a deep enough water container. The stream of molten metal drops entering the water will take a moment to solidify, all the while sinking fast in the water. You want it to fully solidify before it gets to the bottom. If you pour into too shallow a container, the metal will still be molten when it gets to the bottom of the container, and it will fuse to the metal that's already there, so instead of separate grain, you end up with a big lump of fused bits. Interesting, sometimes, but not what you were after. I've found I need at least about 12 inches depth to the container, and it's better to use more. At one point i worked for a casting shop where we did our own grain. the setup there was a full sized (30 gallon size) metal trash can, with a motor clipped to the top rim, connected to a shaft going into the water at the side, and at an angle, with a propeller on the end. The propeller caused the water to slowly swirl in the can, and the stirring action helped chill the grain quicker, as well as helping to keep the molten stream from just landing on the same place at the bottom, again preventing it all from just fusing together at the bottom. The trash can was also fitted with a stainless steel container (just something we'd found in kitchen supply, I think), which sat on the bottom of the can, and could easily be lifted out, so we didn't have to drain the whole container to get the poured shot out. Also, whatever the depth of the water container, be sure to pour from a good enough height over the water surface. The metal drops take a moment from when the stream breaks apart into separate drops, for surface tension to pull those drops together into compact grains. Also, while the drops don't need to be fully solidified when they hit the water, if they're still too hot, the metal splashes as it hits the water, so instead of solid grains you get little shell like shapes. That's OK, sometimes. In fact, sometimes they're really pretty, and can be used to fabricate funky stuff (though the effect is kind old... It's been done a lot before, so don't expect such jewelry to seem new and innovative). But more to the point, i it's splashing enough so the metal bits end up as flattened or cup shaped shell shapes, then some of them will also likely be hollow and closed over completely. Those can trap a bit of the water, so you end up with little bombs. If you try and remelt those grains that have trapped water in them again, they can sometimes explode from steam pressure, scattering your melting metal all over the place. So unless you want to hand inspect all your grain to pick out any bits that may seem like they've done that, it's better to try and get the melting / pouring temperature, height of the pour, and other such factors down to the point where you get predictable solid grains. Poured without a perforated crucible, you end up with a wide range of grain sizes sometimes. You can use a bit of screening to separate out the very fine sized grains that may be harder to handle. And pick out any large unwieldy lumps if you like. These then just go back into the next melt and get repoured. What's left gets pickled, rinsed, tumbled, and you've then got grain good enough to sell as new casting grain, if you like. If using it yourself, skip the tumbling. Note that this applies mostly to sterling silver. I'd suggest that if you're doing standard gold casting alloys, you need to be a bit more cautious of doing all your own grain, since unless you're able to control for the degree to which deoxidizers burn away, you'll end up with grain that can vary in casting characteristics from batch to batch. Hope that helps. Peter ____________________________________________________________________ T h e O r c h i d L i s t Open Electronic Forum for Jewelry Manufacturing Methods and Procedures ____________________________________________________________________ Orchid FAQ: ~ http://www.ganoksin.com/orchid/faq.htm Orchid Archives: ~ http://www.ganoksin.com/orchid/archive Orchid Galleries: ~ http://www.ganoksin.com/orchid/gallery.htm Invite a Friend: ~ http://www.ganoksin.com/invite.htm ____________________________________________________________________ Tips From The Jeweler's Bench - Article Archive ~ http://www.ganoksin.com/borisat/tip_sear.htm The Jeweler's Selected Bibliography List ~ http://www.ganoksin.com/jewelry-books Buy Orchid Jewelry: ~ http://www.ganoksin.com/shop ____________________________________________________________________ -Unsubscribe: -Email: orchid-request AT ganoksin.com Body=unsubscribe subject=blank ____________________________________________________________________ |
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