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From: LSHancock Date: Sat Aug 02 20:05:46 2003 |
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========[ Invite a Friend - http://www.ganoksin.com/invite.htm ]======== All, After the post I sent answering questions about consignment I received a request asking me to clarify the subject of researching consignment stores. Consignment has played an important part in establishing myself in this business. I am assuming that if a person is interested in this subject then, perhaps, like me when I first started with consignment, they have little or no experience with marketing their work to stores. So, please don't take offense if it seems to offer common sense advise that is incredibly obvious. As well, some of this advise is not exclusively geared toward consignment and is applicable when selling your work. Understand your product Sit back, try to be as objective as you can and ask these questions about your work. 1) Why would anyone want to buy my work? I know this is hard, but it is necessary. If your answer is because it's beautiful, remember that beauty is subjective and very personal. You're asking a consumer to part with dollars for your stuff and asking a store to give up valuable case space for you. You have to be your own best salesperson. You should be able to give a potential gallery or store owner some sales ammunition for them to work with. Stores don't always employ salespeople who are knowledgeable about every type of jewelry, so make sure you are an expert about your own things. Consider your work to be a story that you have written and your trying to sell it to a magazine or newspaper. What is your "hook"? Create a headline for your story. What grabs the clients interest and makes them want to know more? 2) What is different about your work? Does your work use stones that others normally don't use or that are extremely rare? Are you working with a technique that is not seen often? Are your prices rock bottom due to some special technique you've developed? Do you have a great following in other areas and want to give another store an opportunity to profit? Make sure you write this information down and give it to any store that carries your work so they have it for future reference. They may hire new people and need information to help in training. 3) Do I have all the necessary information about my work? Do you know the total diamond weights in all your pieces? If you have production work, do you have a price list available that shows all the different styles and how much they are? Again make sure the store has detailed information about every piece you have and keep a copy for yourself. Finding a store to sell from OK, this is the hardest part. If it were easy then we all wouldn't be so concerned. There's no magic formula. It takes footwork, time and perhaps some luck. However, there are several ways to find a store. The one I like best is word of mouth. The best tip I got was from a fellow jeweler who knew my work and who knew a store that was very professional. But I would also take serious a tip from a crafter in another medium. If you know of a potter or a furniture maker who sells in your price range and has a great relationship with a store that also sells jewelry, you have a good place to start. You'll always find galleries at wholesale craft shows who want you to consign. This is an expensive way to find potential consignment stores. When I do a show, I want sales. You can go to the American Craft website http://americancraft.com/BMAC/top100Retailers2003.html for a list of the top 100 craft retail stores. Researching a store When you are starting out it is easy to march to the closest store in your neighborhood or to that great store you love to shop in and ask them to carry your work. This is not always the best idea. You should subject every store to the same scrutiny. Here are some questions to ask yourself. 1) Who sells the jewelry in this store? Does the store have many employees? If they do then each employee who has the opportunity to sell your work should be familiar with your work and hopefully familiar with you. Your work is more likely to sell if the salespeople have a personal interest in you and the work. I like to work with stores that have a small, dedicated staff working with jewelry (especially if they sell pottery, wood or other mediums). Often stores have so much inventory that your work can get lost. Make sure this doesn't happen. 2) Are they familiar with how consignment works? If a store buys 100 percent of the work in the store but agrees to carry your work on consignment there is a conflict of interest you have to deal with. Many times, even if it is subconscious, a store owner will push their salespeople or their clients to sell/buy the inventory they have already paid for. It's natural. I prefer to do consignment work with stores whose work is mostly consignment. They are used to the paperwork and have a better understanding of artists concerns. 3) What other consignment artists do they have experience with? Get names and addresses if possible. I'm talking references here. Call these artists and find out what their experiences are with the store. Do they pay on time? Do they send out regular monthly or quarterly statements of what inventory they have? Does what the artist say match up to what you heard from the store owner? Does the work come back in good condition? How long have they been working with the store? As well make sure you fit in well with the way the store promotes its artists. Do they put all the ruby jewelry together and put all the necklaces together? Do they display the work by style or by artist? 4) How long have they been accepting consignment? The longer the history they have the better. What artists do they have the longest history with? 5) Do they sell any of their own work? Again here is a potential conflict of interest. Of course if everything else seems great, this isn't a deal breaker, but you should be aware that it's natural for people to want to sell their own work first. Make sure they aren't using your work as case filling. 6) Are the sales in the store seasonal nature? If a store is completely dead in the summer or winter, you need to know this. Be aware that if you want to have a competitive chance, you need to get your work in the store a minimum of several months before the busy season starts, otherwise the staff will have no time to learn about it and the store owner may not have the time to display it well. Also it may be that a potential client needs to see your work a few times before they buy it. So if it sits for a couple of months, it doesn't mean the store hasn't been trying to sell it. The work may just be a little too expensive to be an impulse buy in that store. 7) Does the store have a specialty? If a store sells mostly wedding bands and engagement rings then you may have to let your earrings sit a little longer to sell. Or, if the store is one you really want to be involved with, you may want to make some of these items to get a foot in the door. But, if you can't or aren't willing to change your product, be aware that you may have to do more work with the staff and be more patient for sales, or, ultimately move on to the next store. 8) What are the yearly or monthly sales? You really need to know this. It may be the most difficult answer to get a handle on. The owner could lie, or tell you it's none of your business. But in fact it is your business. If your willing to stock the store with several thousand dollars of product and you want a thousand dollars in sales per month and the store only sells about $5000 of jewelry per month, you may be asking for problems. There are other questions too, like what kind of insurance do you have? Who is responsible for theft or fire damage? What kind of policy do they have on customer returns? Who pays for and how do they handle sizing of rings? What is the possibility of custom orders? What do they expect concerning repairs, if they are needed? If they have success with the work would they consider doing a trunk show? Then you have to process the answers to these questions and decide if you can handle the consequences. When asking these questions, make sure you aren't interrogating the owner or manager. Bring up these points in as casual way as you can, possibly interspersing the questions between less pointed questions. Remember that consignment is a partnership that needs more interaction between that parties than other types of selling. If this post inspires others to post thier hints about researching stores, I'd love to hear about it. Good luck, Larry (trying to write and keep my two toddler girls from destroying my house at the same time) ____________________________________________________________________ T h e O r c h i d L i s t Open Electronic Forum for Jewelry Manufacturing Methods and Procedures ____________________________________________________________________ Orchid FAQ: ~ http://www.ganoksin.com/orchid/faq.htm Orchid Archives: ~ http://www.ganoksin.com/orchid/archive Orchid Galleries: ~ http://www.ganoksin.com/orchid/gallery.htm Invite a Friend: ~ http://www.ganoksin.com/invite.htm ____________________________________________________________________ Tips From The Jeweler's Bench - Article Archive ~ http://www.ganoksin.com/borisat/tip_sear.htm The Jeweler's Selected Bibliography List ~ http://www.ganoksin.com/jewelry-books Buy Orchid Jewelry: ~ http://www.ganoksin.com/shop ____________________________________________________________________ -Unsubscribe: -Email: orchid-request AT ganoksin.com Body=unsubscribe subject=blank ____________________________________________________________________ |
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