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| Re: [Orchid] Production work | ||
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From: tb1 Date: Wed Jul 16 22:49:05 2003 |
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========[ Invite a Friend - http://www.ganoksin.com/invite.htm ]======== I have been working with Daniel Grande Racecar Casting for all my casting. I took a detour 15 years ago to learn casting and thought I could do a better job than anyone, which I did. I found that I couldn't be a production caster and all the other jobs required to make a successful career in "art" so I had to swallow the bitter pill of failure, sell the casting equipment I had sold my soul for and find a subcontractor. Daniel is top notch and has taught me allot about casting and what is necessary for him to produce casting. This came about because he attended last years Orchid dinner in Tucson and I had the invaluable opportunity to walk around Rio's catalog in motion with Daniel. I feel face to face distribution of knowledge is really the only way. My production fabrication is done by Lapis Enterprises out of Mesa Arizona. Ron Johnson is the proprietor, 480-699-0179, ron AT lapisopal.com . Ron is bringing Taxco craftsmen to a city on the border called Nogales. 60 miles south of Tucson, I have been to his workshop many times. I first wanted to go there to see if it was a sweat shop. I found Ron was able to attract workers from Taxco by paying well them and housing them and their families. In short, offering opportunity, not just work. I took pancake dies, RT dies, made by Sheltech to Nogales to quicken the production, also an old hydraulic press my grandfather had made 50 years ago. I felt that this would provide me and the workers there an edge. This was fascinating though because I had to teach the workers there how to use the tools I brought and found resistance to using them. They would rather hand saw. I was blown away but, I think I made my point and they are using the provided tools. From a video I got from Rio, years ago, from the Santa Fe symposium called "Design For Production" and the experiences with Ron and Daniel I started realizing that I could design all day long but, if the actual producers didn't like the way I had mapped out they were going to do it differently and I wasn't going to get what I thought I was. Fortunately mine and my families designs are extremely simple ( which can be a production nightmare with out the right people) and just finding top quality crafts-people made all the difference in the product. My method for production now is to design, make a prototype and place and order to see what I get. This is 90% effective, the 10% is waste but, this method gives me a realistic costing path for production and a clear idea of production time and outcome. OK, so I have production behind me, now how do I sell? Well, that's the story in progress. Sam Patania, Tucson tb1 AT earthlink.net ____________________________________________________________________ T h e O r c h i d L i s t Open Electronic Forum for Jewelry Manufacturing Methods and Procedures ____________________________________________________________________ Orchid FAQ: ~ http://www.ganoksin.com/orchid/faq.htm Orchid Archives: ~ http://www.ganoksin.com/orchid/archive Orchid Galleries: ~ http://www.ganoksin.com/orchid/gallery.htm Invite a Friend: ~ http://www.ganoksin.com/invite.htm ____________________________________________________________________ Tips From The Jeweler's Bench - Article Archive ~ http://www.ganoksin.com/borisat/tip_sear.htm The Jeweler's Selected Bibliography List ~ http://www.ganoksin.com/jewelry-books Buy Orchid Jewelry: ~ http://www.ganoksin.com/shop ____________________________________________________________________ -Unsubscribe: -Email: orchid-request AT ganoksin.com Body=unsubscribe subject=blank ____________________________________________________________________ |
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