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This report will describe means for setting a CZ gem in enamel, producing a ring and a medallion with a gem setting without claws. The 6-mm CZ is the center of attention of an anodized titanium ring. The gem is set within the protective confines of two peaks.... (2005) Complete Story
Enamel comes in a number of forms: lump, string, liquid, and powder, as well as in the optical qualities of transparent, opaque, and opalescent. The important factor in selecting an enamel is that it be made for the metal you are using. Enamel expands as it is fired and then contracts as it cools. This is called thermal expansion. The metal on which the enamel is fired must expand and contract at a slightly higher rate.... (2003) Complete Story
Each medium has its own vocabulary and so it is with enamels and enameling. The glass glaze material that is fused to the metal is enamel, the finished work is an enamel piece and the process is enameling. In other words, you enamel enamel with enamel.... (2003) Complete Story
Torch firing is a wonderful way to experience enameling in all of it stages. I see it as an extension to kiln fired enamels and not a replacement since the results are very different. It requires working from instinct with a sensitive observation of cause and effect. The torch oxidizes and blends the pigments, creates patterns and causes chemical reactions that do not occur with kiln firing. Firing times are intuitive and the temperature is controlled by the length of the flame. The torch fires with a cascade of heat, allowing for control over heat placement throughout the piece. Solder seams and delicate colors (soft enamels) thus can be avoided while areas needing high heat can be hit directly....
(2002) Complete Story
