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| [82] Enameling |
For more than two thousand years, goldsmiths have fused glass onto their work for color enrichment. Wonderful enameled work can be found from many ancient cultures, providing familiar icons of the technical skill and aesthetic sensibilities of their makers.... (2001)
 Complete Story |
| Show me more articles from: [The Theory and Practice of Goldsmithing]|[Prof. Dr. Erhard Brepohl] |
| Releated Categories: [Enameling] |
| ISBN: 0961598492 |
| [241] Enameling Copper Balls |
How to use enamel on round or oval copper balls. A Step by step illustrated guide.... (2000)
 Complete Story |
| Show me more articles from: [Glass on Metal]|[Edmund Massow] |
| Releated Categories: [Enameling] |
| ISBN: B00007LNCO |
| [421] Enameling On Fine Silver Metal Clay |
Enameling on pieces made from Precious Metal Clay is a joy! The clay is malleable and will take any shape or texture: it handles like ordinary clay before it is sintered. After the sintering, the material is usable in a variety of enameling techniques. Sintering, an evaporation process, is done by firing the formed clay in a kiln at a high temperature that removes the binder and water and compresses the minute metal particles into solid metal. After sintering, the object is pure silver or gold and is enameled as such.... (2002)
 Complete Story |
| Show me more articles from: [Enameling with Professionals]|[Jean Vormelker] |
| Releated Categories: [Enameling]|[Metal Clay] |
| ISBN: 0971925208 |
| [1002] Enameling on Sterling Silver |
I enamel on various metals making a variety of pieces from post earrings to 5" x 8" framed enamels. The enameling techniques I use for sterling silver are cloisonnE, champlevE and plique-a-jour. When I began enameling in 1971, it was accepted that true transparent enamels could not be used on sterling silver. After studying with Joanna Stone, I persevered with my experimentation until I developed a procedure for enameling on sterling silver. Every step is important. My sterling enamel jewelry pieces are made with a narrow sterling frame that I cut out with a jeweler´s saw blade. The same pattern is used to cut out both the bottom piece and the frame. The frame is sweat soldered to the face of the sterling piece that is to be enameled. This method eliminates the need for making a bezel setting for the enamel. I also use this method for combining champlev with the cloisonn. Instead of making just a frame, I saw out two full size pieces and then saw out cells in which I will enamel and place cloisonn wires in either some or all of the cells.... (2004)
 Complete Story |
| Show me more articles from: [Enameling with Professionals]|[Alexa Foley] |
| Releated Categories: [Enameling] |
| ISBN: 0971925208 |
| [666] Enameling Safety Issues |
Enameling involves the firing and melting of suitable glasses onto and into metals for decorative effects. It is done at fairly high temperatures, from 1200F (649C) to a high kiln temperature of 1700F (927C) or so.The primary dangers involve dusts, the particle size of the enamel used, the chemical constituents of the enamel (older enamels frequently contain lead and other toxic metal oxides and chemicals), the infrared radiation of the kiln and sundry opportunities to burn oneself. Enamelists in factories have even been killed by scalds from water when molten enamel was dumped into it.... (1999)
 Complete Story |
| Show me more articles from: [The Jewelry Workshop Safety Report]|[Charles Lewton-Brain] |
| Releated Categories: [Workshop Safety]|[Enameling] |
| ISBN: 0969851049 |
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