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This article briefly reviews issues of studio safety and discusses ways of recognizing risks in the studio and reducing hazard by substitution of materials or processes. Hygiene: In the Workshop and Personal Hygiene, Safety with Equipment Machinery, Metalworking Machinery, Studio Illumination, Protective Devices, Ventilation, Skin Protection and Protective Clothing are some of the topics covered.... (1978) Complete Story
Besides the safety instructions that you get from a tool manufacturer in the tool manual it may be necessary for you to write your own sets of rules up to keep you out of trouble. This is especially important with employees. What follows is an example of thinking about what can go wrong with a tool. The tool used as an example is a mounted grinder. You can do the same sort of rule compilation with all the tools in your shop. See the "General Safety Rules for Tools" article as a starting point, then each tool will have certain idiosyncrasies which need to be noted. Think of it as "What advice would I give to someone to keep them out ot trouble on this machine?".... (1998) Complete Story
Often craftspeople start out making craft objects in their living space, a kitchen, a living room, and sometimes continue working in them even when they have grown to the point that they need a separate studio. It is not wise to share one's living and family space with workshop space. Usually there are chemicals, tools, equipment, processes, sounds, materials, wastes, dusts and so on that are unhealthy to be exposed to that are produced in a work shop.... (2000) Complete Story
Many craftspeople have posture and body position problems. Ramazzini, the founder of occupational medicine and author of a groundbreaking book on diseases of workers published in 1713 writes rather cruelly (and the man was a great humanitarian in his time) about the effects of working posture and position in regard to cobblers and tailors.... (2000) Complete Story
Goldsmiths began to use hydraulic presses in small shops in the 1940s in North America. Factories have used hydraulic presses for making blanking out parts and forming pieces for some time, and presses in the 150 to 200 ton range are not unusual in jewelry factories today. These need good machine guarding, maintenance and training for the operators. The smaller shop at the end of the 20th century tends to use slowly operated hydraulic presses in the 12 to 25 ton range for forming operations and some minor blanking, this last often carried out using R.T. or pancake cutting dies. It is the smaller presses I will discuss here...
(1999) Complete Story
